the hands, seeing that his works were much criticized in this respect; wherefore from that day onwards, in painting hands, Fra Filippo covered the greater part of them with draperies or with some other contrivance, in order to avoid the aforesaid criticism. In this work he portrayed the said Messer Carlo from the life. [Illustration: THE VIRGIN ADORING (_After the panel by =Fra Filippo Lippi=. Florence: Accademia, 79_) _Anderson_] For the Nuns of Annalena in Florence he painted a Manger on a panel; and some of his pictures are still to be seen in Padua. He sent two little scenes with small figures, painted by his hand, to Cardinal Barbo in Rome; these were very excellently wrought, and executed with great diligence. Truly marvellous was the grace with which he painted, and very perfect the harmony that he gave to his works, for which he has been ever esteemed by craftsmen and honoured by our modern masters with consummate praise; nay, so long as the voracity of time allows his many excellent labours to live, he will be held in veneration by every age. In Prato, near Florence, where he had some relatives, he stayed for many months, executing many works throughout that whole district in company with Fra Diamante, a friar of the Carmine, who had been his comrade in the noviciate. After this, having been commissioned by the Nuns of S. Margherita to paint the panel of their high-altar, he was working at this when there came before his eyes a daughter of Francesco Buti, a citizen of Florence, who was living there as a ward or as a novice. Having set eyes on Lucrezia (for this was the name of the girl), who was very beautiful and graceful, Fra Filippo contrived to persuade the nuns to allow him to make a portrait of her for a figure of Our Lady in the work that he was doing for them. With this opportunity he became even more enamoured of her, and then wrought upon her so mightily, what with one thing and another, that he stole her away from the nuns and took her off on the very day when she was going to see the Girdle of Our Lady, an honoured relic of that township, being exposed to view. Whereupon the nuns were greatly disgraced by such an event, and her father, Francesco, who never smiled again, made every effort to recover her; but she, either through fear or for some other reason, refused to come back--nay, she insisted on staying with Filippo, to whom she bore a male child, who was also called Filippo, and who became, like his father, a very excellent and famous painter.