Giusto, likewise a painter of Padua, painted in the Chapel of S. Giovanni Battista, without the Church of the Vescovado, not only certain scenes from the Old Testament and the New, but also the Revelations of the Apocalypse of S. John the Evangelist; and in the upper part he made a Paradise containing many choirs of angels and other adornments, wrought with beautiful conceptions. In the Church of S. Antonio he painted in fresco the Chapel of S. Luca; and in a chapel in the Church of the Eremite Friars of S. Augustine he painted the liberal arts, with the virtues and vices beside them, and likewise those who have been celebrated for their virtues, and those who have fallen by reason of their vices into the extreme of misery and into the lowest depth of Hell. There was working in Padua, in this man's time, Stefano, a painter of Ferrara, who, as has been said elsewhere, adorned with various pictures the chapel and the tomb wherein is the body of S. Anthony, and also painted the Virgin Mary that is called the Vergine del Pilastro. [Illustration: VITTORE SCARPACCIA (CARPACCIO): THE VISION OF S. URSULA (_Venice: Accademia, 578. Canvas_)] Another man who was held in esteem in the same times was Vincenzio, a painter of Brescia, according to the account of Filarete, as was also Girolamo Campagnola, another Paduan painter, and a disciple of Squarcione. Then Giulio, son of Girolamo, made many beautiful works of painting, illumination, and copper-engraving, both in Padua and in other places. In the same city of Padua many things were wrought by Niccolo Moreto, who lived eighty years, and never ceased to exercise his art. [Illustration: S. GEORGE AND THE DRAGON (_After the panel by =Vittore Scarpaccia [Carpaccio]=. Venice: S. Giorgio Segli Schiavoni_) _Anderson_]