(_Berlin: Kaiser Friedrich Museum, 79A. Canvas_) In Perugia, also, he made many works; among others, a panel in the Duomo for Messer Jacopo Vannucci of Cortona, Bishop of that city; in which panel are Our Lady, S. Onofrio, S. Ercolano, S. John the Baptist, and S. Stephen, with a most beautiful angel, who is tuning a lute. At Volterra, over the altar of a Company in the Church of S. Francesco, he painted in fresco the Circumcision of Our Lord, which is considered beautiful to a marvel, although the Infant, having been injured by damp, was restored by Sodoma and made much less beautiful than before. And, in truth, it would be sometimes better to leave works half spoilt, when they have been made by men of excellence, rather than to have them retouched by inferior masters. In S. Agostino in the same city he painted a panel in distemper, and the predella of little figures, with stories of the Passion of Christ; and this is held to be extraordinarily beautiful. At S. Maria a Monte he painted a Dead Christ on a panel for the monks of that place; and at Citta di Castello a Nativity of Christ in S. Francesco, with a S. Sebastian on another panel in S. Domenico. In S. Margherita, a seat of the Frati del Zoccolo in his native city of Cortona, he painted a Dead Christ, one of the rarest of his works; and for the Company of the Gesu, in the same city, he executed three panels, of which the one that is on the high-altar is marvellous, showing Christ administering the Sacrament to the Apostles, and Judas placing the Host into his wallet. In the Pieve, now called the Vescovado, in the Chapel of the Sacrament, he painted some life-size prophets in fresco; and round the tabernacle are some angels who are opening out a canopy, with S. Jerome and S. Thomas Aquinas at the sides. For the high-altar of the said church he painted a panel with a most beautiful Assumption, and he designed the pictures for the principal round window of the same church; which pictures were afterwards executed by Stagio Sassoli of Arezzo. In Castiglione Aretino he made a Dead Christ, with the Maries, over the Chapel of the Sacrament; and in S. Francesco, at Lucignano, he painted the folding-doors of a press, wherein there is a tree of coral surmounted by a cross. At Siena, in the Chapel of S. Cristofano in S. Agostino, he painted a panel with some saints, in the midst of whom is a S. Cristopher in relief.