Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Next, having been appointed on account of his abilities, and because he
was much beloved by the citizens, as architect to S. Maria del Fiore,
Baccio gave the design for constructing the gallery that encircles the
cupola. This part of the work Filippo Brunelleschi, being overtaken by
death, had not been able to execute; and although he had made designs
even for this, they had been lost or destroyed through the negligence of
those in charge of the building. Baccio, then, having made the design
and model for this gallery, carried into execution all the part that is
to be seen facing the Canto de' Bischeri. But Michelagnolo Buonarroti,
on his return from Rome, perceiving that in carrying out this work they
were cutting away the toothings that Filippo Brunelleschi, not without a
purpose, had left projecting, made such a clamour that the work was
stopped; saying that it seemed to him that Baccio had made a cage for
crickets, that a pile so vast required something grander and executed
with more design, art, and grace than appeared to him to be displayed by
Baccio's design, and that he himself would show how it should be done.
Michelagnolo having therefore made a model, the matter was disputed at
great length before Cardinal Giulio de' Medici by many craftsmen and
competent citizens; and in the end neither the one model nor the other
was carried into execution. Baccio's design was censured in many
respects, not that it was not a well-proportioned work of its kind, but
because it was too insignificant in comparison with the size of the
structure; and for these reasons that gallery has never been brought to
completion.
Baccio afterwards gave his attention to executing the pavement of S.
Maria del Fiore, and to his other buildings, which were not a few, for
he had under his particular charge all the principal monasteries and
convents of Florence, and many houses of citizens, both within and
without the city. Finally, when near the age of eighty-three, but still
of good and sound judgment, he passed to a better life in 1543, leaving
three sons, Giuliano, Filippo, and Domenico, who had him buried in S.
Lorenzo.
Public-domain text, read in full here on John Shaqi.
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