David and Benedetto Ghirlandajo, although they had very good parts and could have followed their brother Domenico in the matters of art, yet did not do so, for the reason that after the death of that same brother they strayed away from the path of good work, one of them, Benedetto, spending a long time as a wanderer, and the other distilling his brains away vainly in the study of mosaic. David, who had been much beloved by Domenico, and who loved him equally, both living and dead, finished after his death, in company with his brother Benedetto, many works begun by Domenico, and in particular the altar-piece of the high-altar in S. Maria Novella, that is, the part at the back, which now faces the choir; and some pupils of the same Domenico finished the predella in little figures, Niccolaio painting with great diligence, below the figure of S. Stephen, a disputation of that Saint, while Francesco Granacci, Jacopo del Tedesco, and Benedetto executed the figures of S. Antonino, Archbishop of Florence, and S. Catharine of Siena. And they painted an altar-picture of S. Lucia that is in that place, with the head of a friar, near the centre of the church; and many other paintings and pictures that are in the houses of various individuals. After having been several years in France, where he worked and earned not a little, Benedetto returned to Florence with many privileges and presents that he had received from that King in testimony of his talents. And finally, after having given his attention not only to painting but also to miniatures, he died at the age of fifty.