Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
But to return to Michelagnolo: having gone back to Florence, he lost
much time now in one thing and now in another. And he made at that
time for the Palace of the Medici a model for the knee-shaped windows
of those rooms that are at the corner, where Giovanni da Udine adorned
the chamber in stucco and painting, which is a much extolled work; and
he caused to be made for them by the goldsmith Piloto, but under his
own direction, those jalousies of perforated copper, which are
certainly admirable things. Michelagnolo consumed many years in
quarrying marbles, although it is true that while they were being
excavated he made models of wax and other things for the work. But
this undertaking was delayed so long, that the money assigned by the
Pope for the purpose was spent on the war in Lombardy; and at the
death of Leo the work was left unfinished, nothing being accomplished
save the laying of a foundation in front to support it, and the
transportation of a large column of marble from Carrara to the Piazza
di S. Lorenzo.
[Illustration: MADONNA AND CHILD
(_After =Michelagnolo=. Florence: New Sacristy of S. Lorenzo_)
_Anderson_]
The death of Leo completely dismayed the craftsmen and the arts
both in Rome and in Florence; and while Adrian VI was alive
Michelagnolo gave his attention in Florence to the tomb of Julius. But
after the death of Adrian Clement VII was elected, who was no less
desirous than Leo and his other predecessors to leave his fame
established by the arts of architecture, sculpture, and painting. At
this time, which was the year 1525, Giorgio Vasari was taken as a
little boy to Florence by the Cardinal of Cortona, and placed with
Michelagnolo to learn art. But Michelagnolo was then summoned to Rome
by Pope Clement VII, who had made a beginning with the library of S.
Lorenzo and also the new sacristy, in which he proposed to place the
marble tombs that he was having made for his forefathers; and he
resolved that Vasari should go to work with Andrea del Sarto until he
should himself be free again, and went in person to Andrea's workshop
to present him.
Public-domain text, read in full here on John Shaqi.
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