(1) Unless the division is based upon a single ground, unless each species is based upon some mode of the generic character, confusion is almost certain to arise. Suppose the field to be divided, the objects to be classified, are three-sided rectilineal plane figures, each group must be based upon some modification of the three sides. Divide them into equilateral, isosceles, and scalene according as the three sides are all of equal length, or two of equal length, or each of different length, and you have a perfect division. Similarly you can divide them perfectly according to the character of the angles into acute-angled, right-angled and obtuse-angled. But if you do not keep to a single basis, as in dividing them into equilateral, isosceles, scalene, and right-angled, you have a cross-division. The same triangle might be both right-angled and isosceles. (2) Overlapping, however, may be unavoidable in practice owing to the nature of the objects. There may be objects in which the dividing characters are not distinctly marked, objects that possess the differentiae of more than one group in a greater or less degree. Things are not always marked off from one another by hard and fast lines. They shade into one another by imperceptible gradations. A clear separation of them may be impossible. In that case you must allow a certain indeterminate margin between your classes, and sometimes it may be necessary to put an object into more than one class. To insist that there is no essential difference unless a clear demarcation can be made is a fallacy. A sophistical trick called the _Sorites_ or Heap from the classical example of it was based upon this difficulty of drawing sharp lines of definition. Assuming that it is possible to say how many stones constitute a heap, you begin by asking whether three stones form a heap. If your respondent says No, you ask whether four stones form a heap, then five, and so on and he is puzzled to say when the addition of a single stone makes that a heap which was not a heap before. Or you may begin by asking whether twenty stones form a heap, then nineteen, then eighteen, and so on, the difficulty being to say when what was a heap ceases to be so. Where the objects classified are mixed states or affections, the products of interacting factors, or differently interlaced or interfused growths from common roots, as in the case of virtues, or emotions, or literary qualities, sharp demarcations are impossible. To distinguish between wit and humour, or humour and pathos, or pathos and sublimity is difficult because the same composition may partake of more than one character. The specific characters cannot be made rigidly exclusive one of another.