Londinium, Architecture and the CraftsLethaby, W. R. (William Richard)
History
Londinium, Architecture and the Crafts
Lethaby, W. R. (William Richard)
England -- Antiquities, Roman; London (England) -- Antiquities, Roman; Romans -- England -- London
_Other Portraits._—In the Guildhall is a tomb with a relief of a
soldier, larger and in higher relief than usual, which was found in the
Camomile Street bastion, and probably occupied a place in the cemetery
by Bishopsgate. This figure of a _signifer_ is a little battered, and
this accentuates a certain grimness of expression, but it is really a
masterly work of unflattered portraiture. There cannot be many existing
presentments of a Roman man more real; this has the face of a
functionary, and the details of the costume are made out with careful
accuracy. The mantle, or cape, partly stitched together in front, was
like a chasuble. It was the _pænula_ on which there is an excursus at
the end of Becker’s _Gallus_. The sword had one of the ivory or bone
hilts of which there is an example in the British Museum—every detail
was evidently carefully studied from fact. Soldiers on the Trajan Column
bear similar swords. It is probably an early second-century work. (The
Colchester centurion (_c._ 100) has a similar sword-hilt.[1]) When we
learn to value and make due use of our antiquities a copy of this relief
should be set up to stand for the fact of Roman rule in Londinium. I
gave a restoration of the whole slab in the _Architectural Review_,
1913; it has been wrongly restored in Price’s volume on the Camomile
Street bastion.
Footnote 1:
Cf. Daremberg and Saglio, _Gladius_.
The relief of the Colchester centurion, Favonius Facilis, is really a
fine work, one of the most perfect representations of a centurion which
exist (cf. Daremberg and Saglio). The niche in which the figure stood
had a shell represented on its rounded top; only the hinge-end of the
bivalve appears at the apex, and the rest may have been indicated by
painting.
[Illustration:
FIG. 73.
]
Public-domain text, read in full here on John Shaqi.
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