Let us walk into the narrow streets and see something more closely of the townfolk. We will take the close net-work of streets south of Paul's and the Cheapside, where the lanes slope down to the river. North of Chepe there are broad open spaces never yet built upon; south, every inch of ground is valuable. The narrow winding lanes are lined with houses on either side; they are for the most part houses with wooden fronts and roofs of timber. Here and there is a stone house; here and there the great house of a noble, or of a City baron, or a great merchant, as greatness is counted. But as yet the trade of London goes not farther than Antwerp, or Sluys, or Bordeaux at the farthest. Some of the houses stand in gardens, but in this part, where the population is densest, most of the gardens have become courts; and in the courts where the poorest live, those who are the porters and carriers, and lightermen and watermen--the servants of the Port--the houses are huts, not much better than those whose ruins may still be seen on Dartmoor; of four uprights, with wattle and clay for walls, and a thatched roof, and a fire burning on the floor in the middle. At the corners of the streets are laystalls, where everything is flung to rot and putrefy; the streets are like our country lanes, narrow and muddy; public opinion is against shooting rubbish into the street, but it is done; the people walk gingerly among the heaps of offal and refuse. In the wooden houses, standing with shutters and doors wide open all the year round, sit the men at work, each in his own trade, working for his own master; every man belongs to his guild, which is as yet religious. Here is a church, the Church of St. George, Botolph Lane; the doors are open; the bells are ringing; the people are crowding in. Let us enter. It is a Mystery that they are going to play--nothing less than the Raising of Lazarus according to Holy Scripture. The church within is dark and gloomy, but there is light enough to see the platform, or low stage, under the nave covered with red cloth, which has been erected for the Play. The actors are young priests and choristers. All round the stage stand the people, the men in leather jerkins--they do not remove their caps--the women in woollen frocks, the children with eyes wide open. When the Play begins they all weep without restraint at the moving passages. In the first scene Lazarus lies on his bed, at the point of death--weak, faint, speechless. He is attended by his friends--four Jews, attired in realistic fashion, no mistake about their nationality--infidels, mécréants--and by his sisters twain, marvellously like two nuns of the period. They send a messenger to the new Great Physician and Worker of Miracles, who is reported to be preaching and healing not far off. But He delays; Lazarus dies. His sister goes to reproach the Physician with the delay, wailing and lamenting her brother's death. At length He comes. Lazarus is already buried.