London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
“The chief area, says he, is paved with square stone; in its
center is a fountain that throws up water, covered with a gilt
crown, on the top of which is a statue of Justice, supported
by columns of black and white marble. The chapel of this
palace is most splendid, in which the Queen’s closet is quite
transparent, having its windows of crystal. We were led into
two chambers called the presence, or chambers of audience,
which shone with tapestry of gold and silver, and silk of
different colours: under the canopy of state are these words
embroidered in pearl, VIVAT HENRICUS OCTAVUS. Here is besides
a small chapel richly hung with tapestry, where the Queen
performs her devotions. In her bedchamber the bed was covered
with very costly coverlids of silk. At no great distance from
this room we were shewn a bed, the teaster of which was worked
by Anne Boleyn, and presented by her to her husband Henry
VIII. All the other rooms being very numerous, are adorned
with tapestry of gold, silver, and velvet, in some of which
were woven history pieces, in others Turkish and American
dresses, all extremely natural.
“In the hall are these curiosities: a very clear looking
glass, ornamented with columns and little images of alabaster;
a portrait of Edward VI. brother to Queen Elizabeth; the true
portrait of Lucretia; a picture of the battle of Pavia; the
history of Christ’s passion, carved in mother of pearl; the
portrait of Mary Queen of Scots; the picture of Ferdinand
Prince of Spain, and of Philip his son; that of Henry VIII.
under which was placed the Bible curiously written upon
parchment; an artificial sphere; several musical instruments:
in the tapestry are represented negroes riding upon elephants;
the bed in which Edward VI. is said to have been born, and
where his mother Jane Seymour died in childbed. In one chamber
were several excessively rich tapestries, which are hung up
when the Queen gives audience to foreign ambassadors; there
were numbers of cushions ornamented with gold and silver; many
counterpanes and coverlids of beds lined with ermine. In
short, all the walls of the palace shine with gold and silver.
Here is besides a certain cabinet called Paradise, where
besides that every thing glitters so with silver, gold, and
jewels, as to dazzle one’s eyes, there is a musical instrument
made all of glass, except the strings. Afterwards we were led
into the gardens, which are most pleasant.”
_Hentzner’s Journey into England._
Public-domain text, read in full here on John Shaqi.
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