London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
At the entrance of the grand walk, are two large marble vases, of
exquisite workmanship, one said to be performed by Mr. Cibber, the
father of the poet laureat, and the other by a foreigner; these pieces
are reported to be done as a trial of skill; but it is difficult to
determine which is the finest performance. They are beautifully
adorned with bas-relief; that on the right hand, representing the
triumphs of Bacchus, and the other on the left, Amphitrite and the
Nereides. At the bottom of this walk, facing a large canal which runs
into the park, are two other large vases, the bas-relief on one
representing the judgment of Paris; and that of the other, Meleager
hunting the wild boar.
In four of the parterres are four fine brass statues. The first is a
gladiator, which formerly stood in the parade of St. James’s Park, at
the foot of the canal, and was removed thither in the reign of Queen
Anne. The original was performed by Agasias Desitheus of Ephesus, and
is in the Borghesian palace at Rome. The second is a young Apollo; the
third a Diana; and the fourth, Saturn going to devour one of his
children: all after fine originals.
On the south side of the palace is the privy garden, which was sunk
ten feet, to open a view from the apartments to the river Thames; in
this garden is a fine fountain, and two grand terrace walks.
On the north side of the palace is a tennis court; and beyond that a
gate which leads into the wilderness: farther on is the great gate of
the gardens, on the sides of which are large stone piers, with the
lion and unicorn couchant, in stone.
We shall now, leaving the gardens, take a view of the palace, and
several apartments, with their noble furniture and fine paintings,
performed by the most eminent masters.
To begin with the first entrance into the palace, at the gates of
which are four large brick piers, adorned with the lion and unicorn,
each of them holding a shield, whereon are the arms of Great Britain,
with several trophies of war well carved on stone.
Passing through a long court yard, on each side of which are stabling
for the officers of his Majesty’s houshold, we come next to the first
portal, which is strongly built of brick, and decorated by Wolfey with
the heads of four of the Cæsars, Trajan and Adrian on one side, and on
the other Tiberius and Vitellius.
Thro’ this portal we pass into a large quadrangle, remarkable for
nothing extraordinary, but its spaciousness and uniformity. This leads
to a second quadrangle, where over the portal is a beautiful
astronomical clock, made by the celebrated Tompion, on which are
curiously represented the twelve signs of the zodiac, with the rising
and setting of the sun, the various phases of the moon, and other
ornaments, and indications of time.
Public-domain text, read in full here on John Shaqi.
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