London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The west front is graced with a most magnificent portico, a noble
pediment, and two stately turrets, and when one advances towards the
church from Ludgate, the elegant construction of this front, the fine
turrets over each corner, and the vast dome behind, fill the mind with a
pleasing astonishment.
At this end, there is a noble flight of steps of black marble, that
extend the whole length of the portico, which consists of twelve lofty
Corinthian columns below, and eight of the Composite order above; these
are all coupled and fluted. The upper series supports a noble pediment
crowned with its acroteria. In this pediment is a very elegant
representation in bas relief, of the conversion of St. Paul, which was
executed by Mr. Bird, an artist, who, by this piece, has deserved to
have his name transmitted to posterity. Nothing could have been
conceived more difficult to represent in bas relief than this
conversion; the most striking object being naturally the irradiation of
light, but even this is well expressed, and the figures are excellently
performed. The magnificent figure of St. Paul, also on the apex of the
pediment, with St. Peter on his right and St. James on his left, have a
fine effect. The four Evangelists with their proper emblems on the front
of the towers, are also very judiciously disposed, and well executed:
St. Matthew is distinguished by an angel: St. Mark, by a lion; St. Luke,
by an ox; and St. John, by an eagle.
To the north portico, there is an ascent by twelve circular steps of
black marble; and its dome is supported by six large Corinthian columns,
forty-eight inches in diameter. Upon the dome is a large and well
proportioned urn, finely ornamented with festoons; and over this is a
pediment supported by pilasters in the wall, in the face of which is the
royal arms, with the regalia, supported by angels. And lest this view of
the cathedral should appear void of sufficient ornament, the statues of
five of the Apostles are placed on the top at proper distances.
Public-domain text, read in full here on John Shaqi.
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