London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
In the area of the grand west front, on a pedestal of excellent
workmanship, stands a statue of Queen Anne, formed of white marble with
proper decorations. The figures on the base represent Britannia with her
spear; Gallia, with a crown in her lap; Hibernia, with her harp; and
America with her bow. These, and the colossal statues with which the
church is adorned, were all done by the ingenious Mr. Hill, who was
chiefly employed in the decorations.
The north east part of the church yard is conferred by the Dean and
Chapter upon the inhabitants of St. Faith’s parish, which is united to
St. Austin’s, for the interment of their dead; as is also the south east
part of the cemetery, with a vault therein, granted to St. Gregory’s
parish for the same use.
On ascending the steps at the west end, we find three doors ornamented
on the top with bas relief; the middle door, which is by far the
largest, is cased with white marble, and over it is a fine piece of
basso relievo, in which St. Paul is represented preaching to the
Bereans. On entering this door, on the inside of which hang the colours
taken from the French at Louisbourg in 1758, the mind is struck by the
nobleness of the vista; an arcade supported by lofty and massy pillars
on each hand, divide the church into the body and two isles, and the
view is terminated by the altar at the extremity of the choir. The above
pillars are adorned with columns and pilasters of the Corinthian and
Composite orders, and the arches of the roof enriched with shields,
festoons, chaplets and other ornaments.
In the isle on one hand is the consistory, and opposite to it on the
other is the morning prayer chapel, where divine service is performed
every morning early, Sunday excepted: each of these have a very
beautiful screen of carved wainscot, that is admired by the best judges,
and each are adorned with twelve columns, arched pediments and the royal
arms, finely decorated.
On proceeding forward, you come to the large cross isle between the
north and south porticos; over which is the cupola. Here you have a view
of the whispering gallery, of the paintings above it, and the concave,
which fills the mind with surprise and pleasure. Under its center is
fixed in the floor a brass plate, round which the pavement is
beautifully variegated; but the figures into which it is formed can no
where be so well seen as from the whispering gallery.
You have now a full view of the organ, richly ornamented with carved
work, with the entrance to the choir directly under it. The two isles on
the sides of the choir, as well as the choir itself, are here enclosed
with very fine iron rails and gates.
The organ gallery is supported by eight Corinthian columns of blue and
white marble, and the choir has on each side thirty stalls, besides the
Bishop’s throne on the south side, and the Lord Mayor’s on the north.
The carving of the beautiful range of stalls as well as that of the
organ, is much admired.
Public-domain text, read in full here on John Shaqi.
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