Some sense of my mood I may impart, if I say that St. Paul's always seemed a dispersed and interrupted St. Peter's in its structure and decoration, and a very hard, unsympathetic, unappealing Westminster Abbey in its mortuary records. The monuments of the Abbey are often grotesque enough, but where they are so they are in the taste of times far enough back to have become rococo and charming. I do not mind a bronze Death starting out of a marble tomb and threatening me with his dart, if he is a Death of the seventeenth century; but I do very much mind the heavy presence of the Fames or Britannias of the earlier nineteenth century celebrating in dull allegory the national bereavement in the loss of military and naval heroes who fell when the national type was least able to inspire grief with an artistic expression. The statesmen, the ecclesiastics, the jurists, look all of a like period, and stand about in stone with no more interest for the spectator than the Fames or the Britannias. The imagination stirs at nothing in St. Paul's so much as at that list of London bishops, which, if you are so lucky as to come on it by chance where it is inscribed beside certain windows, thrills you with a sense of the long, long youth of that still unaging England. Bishops of the Roman and Briton times, with their scholarly Latin names; bishops of the Saxon and Danish times remembered in rough, Northern syllables; bishops of the Norman time, with appellations that again flow upon the tongue; bishops of the English time, with designations as familiar as those in the directory: what a record! It moves you more than any of those uniformed or cloaked images of warriors and statesmen, and it speaks more eloquently of the infrangible continuity, the unbroken greatness of England. My last visit was paid after I had seen so many other English cathedrals that I had begun to say, if not to think, that England was overgothicized, and that I should be glad, or at least relieved, by something classicistic. But I found that I was mistaken. That architecture is alien to the English sky and alien to the English faith, which continues the ancient tradition in terms not ceremonially very distinct from those of Rome; and coming freshly from the minster in York to the cathedral in London, I was aware of differences which were all in favor of the elder fane. The minster now asserted its superior majesty, and its mere magnitude, the sweep of its mighty nave, the bulk of its clustered columns, the splendor of its vast and lofty windows, as they held their own in my memory, dwarfed St. Paul's as much physically as spiritually.