France -- Social life and customs -- 19th century -- Fiction
Stanislas looked himself over from top to toe with a kind of
satisfaction; he verified the number of his waistcoat buttons, and
followed the curving outlines of his tight-fitting trousers with fond
glances that came to a standstill at last on the pointed tips of his
shoes. When he ceased to contemplate himself in this way, he looked
towards the nearest mirror to see if his hair still kept in curl;
then, sticking a finger in his waistcoat pocket, he looked about him
at the women with happy eyes, flinging his head back in three-quarters
profile with all the airs of a king of the poultry-yard, airs which
were prodigiously admired by the aristocratic circle of which he was
the beau. There was a strain of eighteenth century grossness, as a
rule, in his talk; a detestable kind of conversation which procured
him some success with women--he made them laugh. M. du Chatelet was
beginning to give this gentleman some uneasiness; and, as a matter of
fact, since Mme. de Bargeton had taken him up, the lively interest
taken by the women in the Byron of Angouleme was distinctly on the
increase. His coxcomb superciliousness tickled their curiosity; he
posed as the man whom nothing can arouse from his apathy, and his
jaded Sultan airs were like a challenge.
Amelie de Chandour, short, plump, fair-complexioned, and dark-haired,
was a poor actress; her voice was loud, like everything else about
her; her head, with its load of feathers in winter and flowers in
summer, was never still for a moment. She had a fine flow of
conversation, though she could never bring a sentence to an end
without a wheezing accompaniment from an asthma, to which she would
not confess.
Public-domain text, read in full here on John Shaqi.
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