The lady of the mansion was at home, and, though Lothair was quite
prepared for this, his heart beat. The inner hall was of noble
proportion, and there were ranged in it many Roman busts, and some
ancient slabs and altars of marble. These had been collected some
century ago by the minister; but what immediately struck the eye of
Lothair were two statues by an American artist, and both of fame, the
Sybil and the Cleopatra. He had heard of these, but had never seen
them, and could not refrain from lingering a moment to gaze upon their
mystical and fascinating beauty.
He proceeded through two spacious and lofty chambers, of which it was
evident the furniture was new. It was luxurious and rich, and full of
taste; but there was no attempt to recall the past in the details; no
cabinets and clocks of French kings, or tables of French queens, no
chairs of Venetian senators, no candelabra, that had illumined Doges
of Genoa, no ancient porcelain of rare schools, and ivory carvings and
choice enamels. The walls were hung with master-pieces of modern art,
chiefly of the French school, Ingres and Delaroche and Scheffer.
The last saloon led into a room of smaller dimensions, opening on the
garden, and which Lothair at first thought must be a fernery, it
seemed so full of choice and expanding specimens of that beautiful and
multiform plant; but, when his eye had become a little accustomed to the
scene and to the order of the groups, he perceived they were only the
refreshing and profuse ornaments of a regularly furnished and inhabited
apartment. In its centre was a table covered with writing-materials and
books and some music. There was a chair before the table, so placed as
if some one had only recently quitted it; a book was open, but turned
upon its face, with an ivory cutter by its side. It would seem that the
dweller in the chamber might not be far distant. The servant invited
Lothair to be seated, and, saying that Mrs. Campian must be in the
garden, proceeded to inform his mistress of the arrival of a guest.
The room opened on a terrace adorned with statues and orange-trees, and
descending gently into a garden in the Italian style, in the centre
of which was a marble fountain of many figures. The grounds were not
extensive, but they were only separated from the royal park by a wire
fence, so that the scene seemed alike rich and illimitable. On the
boundary was a summer-house in the shape of a classic temple, one of
those pavilions of pleasure which nobles loved to raise in the last
century.
As Lothair beheld the scene with gratification, the servant reappeared
on the step of the terrace and invited him to descend. Guiding him
through the garden, the servant retired as Lothair recognized Mrs.
Campian approaching them.
She gave her hand to Lothair and welcomed him cordially but with
serenity. They mutually exchanged hopes that their return to town had
been agreeable. Lothair could not refrain from expressing how pleased he
was with Belmont.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account