Children -- India; India -- Social life and customs; Missions -- India
Opening off the courtyard on the opposite side to the kindergarten is a
room used as a store-room and Bible-class room combined. It was so very
uncomfortable that last Christmas, as a surprise for the children, we
divided the room into two halves with a curtain between. Their half is
made pretty with pictures and texts, painted in blue on pale brown wood.
The children call this part of the room the Tabernacle. The part beyond
the curtain is the court of the Gentiles.
The Coming-Day Feasts are a feature of Dohnavur life. Now that there are
so many feasts to celebrate, we find it more convenient to combine; and
the photograph overleaf shows as much as it can of one such happy feast.
The children who are being feted are distinguished from the others by
having flowers in their hair. No Indian feast is complete without
flowers. Jessamine is the favourite, but the prettiest wreaths are made
of pink oleander; and sometimes a girl will surprise us with a new and
lovely combination, as of brown flowering grasses and yellow Tecoma
bells.
[Illustration: A COMING-DAY FEAST.]
Opposite the kindergarten room is the first of the two new
nurseries--the lively Parrot-house. This nursery, really the Taraha
(Star, called after its English giver, whose name means "star") is the
abode of the middle-aged babies, aged between two years and four. Most
of these attend the kindergarten, and are very proud of the fact.
The Premalia nursery (Abode of Love), given by two friends in memory of
a mother translated, lies beyond the Taraha. Here the tiny infants live,
and we call it the Menagerie. This nursery, like the other, looks out on
the glorious mountains. If beautiful things can make babies good, ours
should be very good.
On the eastern side of the field we have lately built two small
sick-rooms, used oftener as overflow nurseries. These little rooms have
names meaning "peace" and "tranquillity"; and those of us who have lived
in them with our babies, sick or well, find the names appropriate. In
the foreground there is a garden, in the background the mountain; and to
give purpose to it all, the foreground is full of life. A new nursery
now being built is a welcome gift from Australia; and a new field with a
noble tree, in whose shade a hundred children could play, is the gift of
a friend who stayed with us for one bright week last year.
All this is a later development, unthought of when our artist friend was
with us. We have often wished for him since the nurseries filled. When
he was with us our choice of subject was very limited: now, wherever we
look we see pictures, which to be properly caught ask for colour
photography.
Public-domain text, read in full here on John Shaqi.
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