The third phase I was not destined to see. It began when Lambert and I were parted, for he did not leave college till he was eighteen, in the summer of 1815. He had at that time lost his father and mother about six months before. Finding no member of his family with whom his soul could sympathize, expansive still, but, since our parting, thrown back on himself, he made his home with his uncle, who was also his guardian, and who, having been turned out of his benefice as a priest who had taken the oaths, had come to settle at Blois. There Louis lived for some time; but consumed ere long by the desire to finish his incomplete studies, he came to Paris to see Madame de Stael, and to drink of science at its highest fount. The old priest, being very fond of his nephew, left Louis free to spend his whole little inheritance in his three years' stay in Paris, though he lived very poorly. This fortune consisted of but a few thousand francs. Lambert returned to Blois at the beginning of 1820, driven from Paris by the sufferings to which the impecunious are exposed there. He must often have been a victim to the secret storms, the terrible rage of mind by which artists are tossed to judge from the only fact his uncle recollected, and the only letter he preserved of all those which Louis Lambert wrote to him at that time, perhaps because it was the last and the longest. To begin with the story. Louis one evening was at the Theatre-Francais, seated on a bench in the upper gallery, near to one of the pillars which, in those days, divided off the third row of boxes. On rising between the acts, he saw a young woman who had just come into the box next him. The sight of this lady, who was young, pretty, well dressed, in a low bodice no doubt, and escorted by a man for whom her face beamed with all the charms of love, produced such a terrible effect on Lambert's soul and senses, that he was obliged to leave the theatre. If he had not been controlled by some remaining glimmer of reason, which was not wholly extinguished by this first fever of burning passion, he might perhaps have yielded to the most irresistible desire that came over him to kill the young man on whom the lady's looks beamed. Was not this a reversion, in the heart of the Paris world, to the savage passion that regards women as its prey, an effect of animal instinct combining with the almost luminous flashes of a soul crushed under the weight of thought? In short, was it not the prick of the penknife so vividly imagined by the boy, felt by the man as the thunderbolt of his most vital craving--for love?