Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
The Virgin with her moon-white face still inspired Yeoland with the
visionary behest given in the ruined chapel. The girl’s fingers toiled
at the scarlet banner; she spent half her days upon her knees, devout as
any Helena. She knew Fulviac’s schemes as surely as she did the beads
on her rosary. The rough rangers of the forest held her to be a saint,
and knelt to touch her dress as she passed by.
Yet what are dreams but snowflakes drifting from the heavens, now white,
now red, as God or man carries the lamp of love? The girl’s ecstasy of
faith was but a potion to her, dazing her from a yet more subtle dream.
A faint voice summoned her from the unknown. She would hear it often in
the silence of the night, or at full noon as she faltered in her
prayers. The rosary would hang idle on her wrist, the crucifix melt
from her vision. She would find her heart glowing like a rose at the
touch of the sun. Anon, frightened, she would shake the human half of
herself, and run back penitent to her prayers.
It was springtide and the year’s youth, when memories are garlanded with
green, and romance scatters wind-flowers over the world. Many voices
awoke, like the chanting of birds, in Yeoland’s heart. She desired,
even as a swallow, to see the old haunts again, to go a pilgrim to the
place where the dear dead slept. Was it yearning grief, or a joy more
subtle, the cry of the wild and the voice of desire? Mayhap white
flowers shone on the tree of life, prophetic of fruit in the mellow
year. Jaspar the harper heard her plea; ’twas wilful and eager, but
what of that! Fulviac, good man, had ridden to Gilderoy. The girl had
liberty enough and to spare. She took it and Jaspar, and rode out from
the cliff.
Threading the sables of the woods, they came one noon to the open moor.
It was golden with the western sun, solitary as the sea. The shadows
were long upon the sward when Cambremont wood billowed out in its
valley. There was no hope of their reaching the tower before dusk, so
they piled dead bracken under a cedar, where the shelving eaves swept to
the ground.
They were astir early upon the morrow, a sun-chastened wind inspiring
the woodlands, and sculpturing grand friezes from the marbles of the
sky. The forest was full of the glory of Spring, starred with anemones
and dusted with the azure campaniles of the hyacinth horde. Primroses
lurked on the lush green slopes. In the glades, the forest peristyles,
green gorse blazed with its constellations of gold.
Public-domain text, read in full here on John Shaqi.
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