Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
He sprang away on his great bay horse, a shimmering shaft of
youth--youth that flashed forth chivalry into the burgeoning green of
Spring. The sunlight webbed his hair with gold; his face glowed like a
martyr’s. Balthasar watched him with much poetic zest, as he swept away
with his thundering knights into the woods.
The friar settled to his work again, but it was fated that he was to
have no lasting peace that morning. He was painting in a background, a
landscape, to a small Crucifixion. His hand was out of touch, however;
the subject was not congenial. A pale face and a pair of dusky eyes had
deepened a different stream of thought in the man. Themes hypersensuous
held his allegiance; from prim catholic ethics, he reverted to his
glorious paganism with an ever-broadening sense of satisfaction.
He was interrupted once more, and not unpleasantly, by a lady, with two
armed servants at her back, riding in from the forest by the northern
ride. The woman was clad in a cloak of damask red, and a jupon of dark
green, broidered with azure scroll work. Her hood, fallen back, showed
her purple black hair bound up in a net of gold. Her large dark eyes
flashed and smouldered under their long lashes. She had high
cheek-bones, a big nose, lips full as an over-ripe rose. She was big of
body, voluptuous to look upon, as an Eastern odalisque, a woman of great
passions, great appetites.
Fra Balthasar tumbled his brushes and paints aside, and went to meet her
as she rode over the grass. There was a smile on the man’s lips, a
flush upon his sleek face, as he walked with a courtly and debonair
vanity. The woman caught sight of him and wheeled her horse in his
direction. The autumn splendour of her cheeks told of hard riding, and
her horse dropped foam from his black muzzle.
Fra Balthasar crossed himself with much meekness.
"Good greeting, Madame Duessa," were his words, as he kept his eyes on
the ground.
The woman scanned the glade with the strenuous spirit of a Boadicea.
"My Lord Flavian?"
"Madame?"
"He has been here."
"But is here no longer."
"These buildings?"
"Are the Lord Flavian’s."
"And you?"
"I am his architect."
"Morally, messire monk?"
"Madame, I do not edificate souls."
The woman stared him over with a critical comprehensiveness.
"Balthasar."
The man half glanced at her.
"Look me in the face."
He gave a sigh, made a gesture with his hands, looked melancholy and
over-ecstasied to the point of despair.
"Madame, there are thoughts beyond one’s liberty."
"Well?"
"There are women, a woman, one dares not look upon. There are eyes,
well--well, that are too bright. Pardon me, I would serve you."
She took a deep breath, held out her hand to him, a big, warm hand, soft
and white. The man’s lips burnt upon it. She touched his cheek and saw
him colour.
"Well?"
"My Lord Flavian is not here."
"But has been. Where now?"
"Away hunting."
"Ha, what?"
"Madame, what do men hunt and burn for?"
Public-domain text, read in full here on John Shaqi.
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