Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
Another agony for mammy ensued, nor could Aurelia leave the child till
sleep had hushed the wailings. Then only could she take her little
writing-case to begin her letter to Betty. It would be an expensive
luxury to her family, but she knew how it would be longed for; and
though she cried a good deal over her writing, she felt as if she ought
to make the best of her position, for had not Betty said it was for her
father’s sake? No, her tears must not blot the paper, to distress
those loving hearts. Yet how the drops _would_ come, gathering fast and
blinding her! Presently, through the window, came the sweet mysterious
strains of the violin, not terrifying her as before, but filling her
with an inexpressible sense of peace and calmness. She sat listening
almost as one in a dream, with her pen suspended, and when the spell was
broken by Molly’s entrance with her supper, she went on in a much more
cheerful strain than she had begun. It was dull, and it was a pity that
her grand wardrobe, to say nothing of Betty’s good advice, should be
wasted, but her sister would rejoice in her seclusion from the grand,
fashionable world, and her heart went out to the poor little neglected
children, whose mother could not bear the sight of them.
CHAPTER IX. THE TRIAD.
“I know sisters, sisters three.”
Ere many days had passed Aurelia had drifted into what would now be
regarded as the duties of a nursery governess to her little companions.
Fay and Amoret were always with her, and depended on her for everything.
Jenny Bowles, with a sort of animal jealousy, tried to monopolise her
charge, Letitia. The child was attracted by the sounds of her sister’s
sports, and there was no keeping her from them, or from their cousin.
Then the rude untaught Jenny became cross, moped, showed spite to the
other children, and insolence to the young lady, and was fortunately
overheard by Mrs. Aylward, and dismissed. Letty did not seem to mind the
loss as Amoret had felt that of her foster-mother, for indeed Jenny had
been almost as disagreeable to her as to the others during these days of
jealousy.
The triad were not much alike: Amoret was the largest of the three,
plump, blue-eyed, golden-haired, rosy-cheeked, a picture of the
cherub-type of child; Letitia had the delicate Delavie features and
complexion; and Fidelia, the least pretty, was pale, and rather sallow,
with deep blue eyes set under a broad forehead and dark brows, with hair
also dark. Though the smallest, she was the most advanced, and showed
signs of good training. She had some notion of good manners, and knew
as much of her hornbook [a child’s primer consisting of a sheet of
parchment or paper protected by a sheet of transparent horn--D.L.] and
catechism as little girls of five were wont to know. The other two were
perfectly ignorant, but Mrs. Aylward procured hornbooks, primers, and
slates, and Aurelia began their education in a small way.
Public-domain text, read in full here on John Shaqi.
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