Woman knows—and man still more—that it is in periods of calm, when
all vital stimulation is wanting, that the temptation comes to seek it
in new relations. But at the same time they are beginning to see that
when one and the same feeling affords an unceasing excitement—through
the desire of constantly attaining higher conditions of that
feeling—then such temptation becomes of necessity less and less
dangerous, simply because the human soul can only with great difficulty
transfer the spiritual wealth it has accumulated in one place. Love
in its impersonal form is movable capital, easily realised. In its
personal form, on the other hand, it is fixed property, which increases
in value the more one sinks in it, and which, owing to its very nature,
is difficult to disperse.
Whenever a woman has captivated a man with a lifelong fascination, the
secret has been that he has never exhausted her; that she “has not
been one, but a thousand” (G. Heiberg); not a more or less beautiful
variation on the eternal theme of the female sex, but a music in
which he has found the wealth of inexhaustibility, the enticement of
impenetrability, while she has given him an incomparable happiness
of the senses. The more the modern woman acquires courage for a
love as rich in the senses as in the soul, the more complicated and
self-inclosed her personality becomes, the more will she obtain that
power which is now only the fortunate advantage of the exceptional.
Man tells woman that her new way of love is opposed not only to man’s
nature but to the welfare of the new generation.
She answers that great love doubtless betrays a childish lack of
understanding in all departments of worldly wisdom, but that in its own
sphere—with all its riddles and problems—it is godlike wisdom, the
gift of divining, the power of working miracles; that the only thing
needful in order that love may re-create the race is that it shall
become an even greater vital force, through mankind investing it with
more and more of its spiritual power.
Public-domain text, read in full here on John Shaqi.
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