Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"Powerful muscles, I must say," muttered Groholsky looking at this
scene. The operation was repeated some six times, the ladies were
so amiable as to show no embarrassment whatever when the boisterous
wind disposed of their inflated skirts as it willed while they were
being lifted. Groholsky dropped his eyes in a shamefaced way when
the ladies flung their legs over the parapet as they reached the
verandah. But Liza watched and laughed! What did she care? It was
not a case of men misbehaving themselves, which would have put her,
as a woman, to shame, but of ladies.
In the evening, Ivan Petrovitch flew over, and with some embarrassment
announced that he was now a man with a household to look after . . . .
"You mustn't imagine they are just anybody," he said. "It is true
they are French. They shout at the top of their voices, and drink
. . . but we all know! The French are brought up to be like that!
It can't be helped. . . . The prince," Ivan Petrovitch added, "let
me have them almost for nothing. . . . He said: 'take them, take
them. . . .' I must introduce you to the prince sometime. A man of
culture! He's for ever writing, writing. . . . And do you know what
their names are? One is Fanny, the other Isabella. . . . There's
Europe, ha-ha-ha! . . . The west! Good-bye!"
Ivan Petrovitch left Liza and Groholsky in peace, and devoted himself
to his ladies. All day long sound of talk, laughter, and the clatter
of crockery came from his villa. . . . The lights were not put out
till far into the night. . . . Groholsky was in bliss. . . . At
last, after a prolonged interval of agony, he felt happy and at
peace again. Ivan Petrovitch with his two ladies had no such happiness
as he had with one. But alas, destiny has no heart. She plays with
the Groholskys, the Lizas, the Ivans, and the Mishutkas as with
pawns. . . . Groholsky lost his peace again. . . .
One morning, about ten days afterwards, on waking up late, he went
out on to the verandah and saw a spectacle which shocked him,
revolted him, and moved him to intense indignation. Under the
verandah of the villa opposite stood the French women, and between
them Liza. She was talking and looking askance at her own villa as
though to see whether that tyrant, that despot were awake (so
Groholsky interpreted those looks). Ivan Petrovitch standing on the
verandah with his sleeves tucked up, lifted Isabella into the air,
then Fanny, and then Liza. When he was lifting Liza it seemed to
Groholsky that he pressed her to himself. . . . Liza too flung one
leg over the parapet. . . . Oh these women! All sphinxes, every one
of them!
When Liza returned home from her husband's villa and went into the
bedroom on tip-toe, as though nothing had happened, Groholsky, pale,
with hectic flushes on his cheeks, was lying in the attitude of a
man at his last gasp and moaning.
On seeing Liza, he sprang out of bed, and began pacing about the
bedroom.
Public-domain text, read in full here on John Shaqi.
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