London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Her prettiness and charm--of which she was modestly but confidently
aware, by her experience of its effect--was a great satisfaction. It was
remarkably noticeable today. In front of the glass Edith hesitated
between her favourite plain sailor hat and a new black velvet toque,
which shaded her eyes, contrasting with the fair hair of which very
little showed, and giving her an aspect of dashing yet discreet
coquetry. She looked younger in the other sailor hat (so she decided
when she put it on again) and more as she used to look. Which was the
more attractive? She decided on novelty, and went out, finally, in
the toque.
Of course only another woman could have appreciated the remarkable fact
that she could wear at thirty-five such a small hat and yet look fresh.
Certainly a brim was more flattering to most women of her age, but the
contour of Edith's face was still as youthful as ever; she had one of
those clearly shaped oval faces that are not disposed to growing thick
and broad, or to haggardness. The oval might be a shade wider than it
was three years ago; that was all the more becoming; did it not make the
features look smaller?
* * * * *
As she went out she laughed at herself for giving so much thought to her
appearance. It was as though she believed she was going to play an
important part in the chief scene of a play.
Once dressed, as usual she lost all self-consciousness, and thought of
outside things.
Miss Clay was out, as she had told Edith she would be, and the servant
showed her in.
She saw at once that Aylmer, also, had been looking forward to this
moment with some excitement. He, too, had dressed with special care; and
she knew, without being told, that orders had been given to receive no
other visitors.
He was sitting in an arm-chair, with the bandaged leg on the other
chair, a small table by his side laid for tea. Even a kettle was boiling
(no doubt to avoid interruption). It was his old brown library, where
she had occasionally seen him with others in the old days. But this was
literally the first time she had seen him in his own house alone.
It was essentially a man's room. Comfortable, but not exactly luxurious;
very little was sacrificed to decoration.
There were a few very old dark pictures on the walls. The room was
crammed with books in long, low bookcases. On the mantelpiece was a
pewter vase of cerise-coloured carnations.
An uncut _English Review_ was in his hand, but he threw it on the floor
with a characteristic gesture as she came in.
'You look very comfortable,' said Edith, as she took her seat in the
arm-chair placed for her.
He answered gravely, speaking in his direct, quick way, with his sincere
manner:
'It was very good of you to come.'
'Shall I pour out your tea?'
'Yes. Let's have tea and get it over.'
She laughed, took off her gloves, and he watched her fingers as they
occupied themselves with the china, as though he were impatient for the
ceremony to be finished.
Public-domain text, read in full here on John Shaqi.
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