Into the elevator. The last hope is gone. The door clangs and you look
hopelessly about you at the stupid faces of your fellow passengers. How
can people be so clownish? Of course, there is always the chance that
the elevator will fall and that you will all be terribly hurt. But that
is too much to expect. You dismiss it from your thoughts as too
impractical, too visionary. Things don't work out as happily as that in
real life.
You feel a certain glow of heroic pride when you tell the operator the
right floor number. You might just as easily have told him a floor too
high or too low, and that would, at least, have caused delay. But after
all, a man must prove himself a man and the least you can do is to meet
Fate with an unflinching eye and give the right floor number.
Too often has the scene in the dentist's waiting-room been described for
me to try to do it again here. They are all alike. The antiseptic smell,
the ominous hum from the operating-rooms, the 1921 "Literary Digests,"
and the silent, sullen, group of waiting patients, each trying to look
unconcerned and cordially disliking everyone else in the room,--all
these have been sung by poets of far greater lyric powers than mine.
(Not that I really think that they _are_ greater than mine, but that's
the customary form of excuse for not writing something you haven't got
time or space to do. As a matter of fact, I think I could do it much
better than it has ever been done before).
I can only say that, as you sit looking, with unseeing eyes, through a
large book entitled, "The Great War in Pictures," you would gladly
change places with the most lowly of God's creatures. It is
inconceivable that there should be anyone worse off than you, unless
perhaps it is some of the poor wretches who are waiting with you.
That one over in the arm-chair, nervously tearing to shreds a copy of
"The Dental Review and Practical Inlay Worker." She may have something
frightful the trouble with her. She couldn't possibly look more worried.
Perhaps it is very, very painful. This thought cheers you up
considerably. What cowards women are in times like these!
And then there comes the sound of voices from the next room.
"All right, Doctor, and if it gives me any more pain shall I call you
up?... Do you think that it will bleed much more?... Saturday morning,
then, at eleven.... Good bye, Doctor."
And a middle-aged woman emerges (all women are middle-aged when emerging
from the dentist's office) looking as if she were playing the big
emotional scene in "John Ferguson." A wisp of hair waves dissolutely
across her forehead between her eyes. Her face is pale, except for a
slight inflammation at the corners of her mouth, and in her eyes is that
far-away look of one who has been face to face with Life. But she is
through. She should care how she looks.
[Illustration: You would gladly change places with the most lawless of
God's creatures.]
Public-domain text, read in full here on John Shaqi.
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