Humorous stories; London (England) -- Fiction; Lucia (Fictitious character) -- Fiction; Women -- England -- Fiction
Lucia accepted this remarkable invitation with avidity: it would be an
interesting and progressive meal. In these first weeks, she was
designedly experimental; she intended to sweep into her net all there
was which could conceivably harbour distinction, and sort it out by
degrees. She was no snob in the narrow sense of the word; she would have
been very discontented if she had only the high-born on her visiting
list. The high-born, of course, were safe--you could not make a mistake
in having a duchess to tea, because in her own line a duchess had
distinction--but it would not have been enough to have all the duchesses
there were: it might even have been a disappointing tea-party if the
whole room was packed with them. What she wanted was the foam of the
wave, the topmost, the most sunlit of the billows that rode the sea.
Anything that had proved itself billowish was her game, and anything
which showed signs of being a billow, even if it entailed a vegetarian
lunch with cocktails and the possible necessity of being painted like
the artist’s wife with an eyebrow in one corner of the picture and a
substance like desiccated cauliflower in the centre. That had always
been her way: whatever those dear funny folk at Riseholme had thought
of, a juggler, a professor of Yoga, a geologist, a psycho-analyst had
been snapped up by her and exploited till he exploded.
But Pepino was not as nimble as she. The incense at Sophy’s had made him
sneeze, and the primitive tunes on the spinet had made him snore; that
had been all the uplift they had held for him. Thus, though she did not
mind tiring herself to death, because Pepino was having such an
interesting time, she didn’t mind his going down to Riseholme for the
Sunday to rest, while she had a vegetarian lunch with post-cubists, and
a dinner with a princess. Literally, she could scarcely tell which of
the two she looked forward to most; the princess was safe, but the
post-cubists might prove more perilously paying. It was impossible to
make a corner in princesses for they were too independent, but already,
in case of post-cubism turning out to be the rage, she could visualize
her music-room and even the famous Chippendale chairs being painted
black, and the Sargent picture of Auntie being banished to the attic.
She could not make them the rage, for she was not (as yet) the supreme
arbiter here that she had been at Riseholme, but should they become the
rage, there was no one surely more capable than herself of giving the
impression that she had discovered them.
Public-domain text, read in full here on John Shaqi.
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