Lyrical Ballads, with Other Poems, 1800, Volume 1Wordsworth, William
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Lyrical Ballads, with Other Poems, 1800, Volume 1
Wordsworth, William
English poetry -- 19th century
NOTE to the ANCIENT MARINER, p. 155.--I cannot refuse myself the
gratification of informing such Readers as may have been pleased
with this Poem, or with any part of it, that they owe their pleasure
in some sort to me; as the Author was himself very desirous that it
should be suppressed. This wish had arisen from a consciousness of
the defects of the Poem, and from a knowledge that many persons had
been much displeased with it. The Poem of my Friend has indeed great
defects; first, that the principal person has no distinct character,
either in his profession of Mariner, or as a human being who having
been long under the controul of supernatural impressions might be
supposed himself to partake of something supernatural: secondly,
that he does not act, but is continually acted upon: thirdly, that
the events having no necessary connection do not produce each other;
and lastly, that the imagery is somewhat too laboriously accumulated.
Yet the Poem contains many delicate touches of passion, and indeed
the passion is every where true to nature; a great number of the
stanzas present beautiful images, and are expressed with unusual
felicity of language; and the versification, though the metre is
itself unfit for long poems, is harmonious and artfully varied,
exhibiting the utmost powers of that metre, and every variety of
which it is capable. It therefore appeared to me that these several
merits (the first of which, namely that of the passion, is of the
highest kind,) gave to the Poem a value which is not often possessed
by better Poems. On this account I requested of my Friend to permit
me to republish it.
NOTE to the Poem ON REVISITING THE WYE, p. 201.--I have not ventured
to call this Poem an Ode; but it was written with a hope that in the
transitions, and the impassioned music of the versification would be
found the principal requisites of that species of composition.
END OF VOL. I.
Public-domain text, read in full here on John Shaqi.
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