Authors, Swedish -- 19th century -- Biography; Lagerlöf, Selma, 1858-1940; Sweden -- Social life and customs -- 19th century
“Tell me, Wachenfeldt, you who are a judge of women--would you kiss
such a little Miss Snippit?”
Colour-Sergeant von Wachenfeldt, old as he was, flushed. He struck the
table with his fist, half-rose from his seat, and thundered:
“Don’t ask me such a thing! I have never kissed a homely woman.”
The ungodly persons round him broke into hilarious shrieks. Here he had
been acting the part of the sage and the plain man of common sense, yet
a simple little query like that had unmasked him. The old _beau
cavalier_ still survived in him. Sick and wretched, old and dilapidated
as he was, let none think or assume that he would kiss a plain woman.
O _Vackerfeldt! Vackerfeldt!_
VIII
THE ORCHESTRA
IT WAS an impromptu orchestra that played that day at Mårbacka. There
was Major Ehrencrona, a Finn by birth, who in former days had lived in
a palatial home and been a _grand seigneur_, but who now in his old age
occupied a rented room at a farmhouse, where he led a dull and
monotonous existence, much like that of Colour-Sergeant von
Wachenfeldt. He was reputed to be a master of the French horn; but
since he had become poor and lonely he had not been heard to play.
And there was Herr Tyberg, who began life as drummer-boy with the
Värmland Regiment and who surely would have killed himself with drink,
had not the Lieutenant at Mårbacka, by a mere chance, discovered the
man’s special aptitude for teaching small children, and engaged him as
tutor for his own little ones, and later found him a position as
teacher in the elementary school at East Ämtervik.
Then, there was Jan Asker, who had also been in the regiment band, but
who was now church-beadle and grave-digger at East Ämtervik. He came of
an old family of musicians, and used to play the clarinet at all the
peasant weddings and dances. His was an embittered and restless spirit.
The only thing that reconciled him to life was music.
And there was the foundry bookkeeper, Geijer, who lived in the attic of
the school building, and kept house for himself. He was passionately
fond of music, but being too poor to provide himself with any sort of
instrument, he had painted a keyboard on a common deal table, at which
he sat and “played.”
Then, too, there was Sexton Melanoz, who had received instruction from
Dean Fryxell himself, and could scribble verse, cobble shoes, mend
furniture, and run a farm. He was the star entertainer at all the
weddings and wakes, and was moreover the best schoolmaster in the whole
of Fryksdalen. Every Sunday morning he had to play the wheezy organ at
the Ämtervik church, which he never could have endured if he’d not had
his violin to console him on Sunday afternoons, for he was a musical
soul.
These five had arranged to meet at Mårbacka on a certain day during the
Christmas season, while there was still something left of the Christmas
ale, the Christmas ham, and spiced bread.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account