Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
“I told him,” writes Juliette, “that I had written a book.” “What is
it?” he asked, not unnaturally. But the subject of her book was the
last thing Juliette meant to reveal to this disciple of Proudhon. It
would seem a thing unheard of that Dr. Lambert should be asked to pay
for the publication of a book when he was ignorant of its contents.
But this was Juliette’s request; and she knew her father could refuse
her nothing. She was encouraged, moreover, when she heard him express
his annoyance with the philosopher for his gross attacks on such
devoted republicans as George Sand and Daniel Stern. “You must have
been sadly wounded, Juliette?” he inquired. “Yes, I was heart-broken,”
she replied. Yet she did not enlighten him any further. Nevertheless
she returned to Paris with the thousand francs, which her doting
parent calculated would suffice for the publication of her literary
first-born.
Then followed the search for a publisher. Always ambitious, Juliette
applied to one of the greatest publishing houses in the world. She
addressed herself to M. Michel Lévy,[41] the publisher of Victor Hugo,
of Sainte-Beuve, of Alexandre Dumas, who had recently discovered Renan
in his garret. That famous master used to declare that Michel Lévy
had been ordained by a special decree of Providence to become his
publisher. Such was not Juliette’s experience; for M. Lévy’s reception
of her was, to put it mildly, not encouraging.[42]
“Here is a young lady,” said his clerk, and in what a tone! “who
has come about a book she has written, which she wants the firm to
publish.”
Smiling, M. Lévy looked at his visitor and asked: “The subject of the
book?”
“A reply to the attacks made on George Sand and Daniel Stern in _La
Justice dans la Révolution_.”
“And this reply is by you, mademoiselle?”
“Madame, sir.”
“And you think that a book like _this_ will be published by the house
of Michel Lévy?”
“Oh, sir, I quite realise that I must bear the expense of the
publication of my first book. If you would be so kind as to read it.”
“Useless, madame.”
“What! Do you decide without having looked at it?”
“Oh! I can see perfectly what your ... work is like merely by looking
at you. What do you think, my good Scholl?”[43] said he, addressing
some one who had just come in.
“It would be a pity,” said Scholl, “for madame to become a commonplace
blue-stocking. You are quite right to discourage her, my dear Lévy.
She has something better to do.”
“Monsieur Aurélien Scholl,” replied Juliette proudly, “M. Huegel, near
by, has published a poem[44] by me which may not be as good as your
_Denise_, but my prose may quite well be equal to yours.”[45]
And with her heart in her mouth, her literary personality, as she puts
it, thoroughly humiliated, she left Michel Lévy’s office. Scholl, with
whom she was often to discuss that scene in after years, told her he
had advised Lévy to call her back.
Public-domain text, read in full here on John Shaqi.
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