Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
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Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
After dinner, finding her very agitated, he sent her to bed. “_Va te
coucher, Basile_,” he said. “I will read your book to-night, and tell
you what I think of it in the morning.”
At three o’clock in the morning he came into his daughter’s room
and awakened her with the words:[48] “It is good, it is good.
But it is mine. I sowed the seed in your mind of these _Idées
Anti-Proudhoniennes_. My dear child, this means your success, your
salvation,[49] influential friendships, your grandmother’s wishes
realised. Why is she not here at this moment?”
The next morning at breakfast even the usually despondent Mme. Lambert
was gay, although she could not help her customary gloom breaking out
in the exclamation, “I tremble to think what a life of work and worry
this will mean for you.”
Dr. Lambert was eager for his daughter to be off to Paris, there to
receive the congratulations which he was convinced were awaiting
her. And he was not mistaken. Every day brought some new proof of
the attention this little volume had attracted. The book was widely
noticed in the press. The review which pleased her most, even to the
point, she confesses, of for the moment making her lose her head (_cet
article me monta un peu à la tête_),[50] was by Eugène Pelletan, in
_La Presse_. The writer came to see her the day after the article’s
appearance: and from that moment he became one of her most faithful
and devoted friends. The _Siècle_, the periodical which had published
her first prose effort,[51] in the following terms noticed her volume
only a few days after its publication—
“We received yesterday a book destined to produce a profound
sensation. It is a reply to Proudhon and to the insulting attack upon
George Sand and Daniel Stern contained in his last work. This book,
despite its virility, is said to be by a very young woman. The title
of the volume is _Idées Anti-Proudhoniennes_. It is signed ‛Juliette
Lamessine.’”
Virility is, indeed, the dominating feature of this, Juliette’s first
production, as it was to be of all her work. She writes as one having
authority. Her style is crisp, terse, dramatic, vivid and, above
all, forcible. It is essentially the style of a woman of action as
well as of thought. In controversy she has always been at her best.
And she could not possibly have found a subject better suited to her
temperament and training than this answer to Proudhon’s attack on
women. That in this year, 1858, three years before John Stuart Mill
began to write his _Subjection of Women_, three years before our first
woman doctor, Mrs. Garrett Anderson, began to study medicine, a young
woman of twenty-two should have been able to present a bird’s-eye
view of the whole field of feminist reform; that she should, in such
forcible terms, have enunciated feminist principles and contended for
those rights which it has required half a century of conflict to win,
was a very remarkable achievement.
Public-domain text, read in full here on John Shaqi.
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