M. de Mauves sat down, and the two men looked at each other across the table, exchanging formal remarks that did little to lend grace to their encounter. Longmore had no reason to suppose the Count knew of his sister’s various interventions. He was sure M. de Mauves cared very little about his opinions, and yet he had a sense of something grim in his own New York face which would have made him change colour if keener suspicion had helped it to be read there. M. de Mauves didn’t change colour, but he looked at his wife’s so oddly, so more than naturally (wouldn’t it be?) detached friend with an intentness that betrayed at once an irritating memory of the episode in the Bois de Boulogne and such vigilant curiosity as was natural to a gentleman who had entrusted his “honour” to another gentleman’s magnanimity--or to his artlessness. It might appear that these virtues shone out of our young man less engagingly or reassuringly than a few days before; the shadow at any rate fell darker across the brow of his critic, who turned away and frowned while lighting a cigar. The person in the coupe, he accordingly judged, whether or no the same person as the heroine of the episode of the Bois de Boulogne, was not a source of unalloyed delight. Longmore had dark blue eyes of admirable clarity, settled truth-telling eyes which had in his childhood always made his harshest taskmasters smile at his notion of a subterfuge. An observer watching the two men and knowing something of their relations would certainly have said that what he had at last both to recognise and to miss in those eyes must not a little have puzzled and tormented M. de Mauves. They took possession of him, they laid him out, they measured him in that state of flatness, they triumphed over him, they treated him as no pair of eyes had perhaps ever treated any member of his family before. The Count’s scheme had been to provide for a positive state of ease on the part of no one save himself, but here was Longmore already, if appearances perhaps not appreciable to the vulgar meant anything, primed as for some prospect of pleasure more than Parisian. Was this candid young barbarian but a faux bonhomme after all? He had never really quite satisfied his occasional host, but was he now, for a climax, to leave him almost gaping?