Madeline Payne, the Detective's DaughterLynch, Lawrence L.
General
Madeline Payne, the Detective's Daughter
Lynch, Lawrence L.
Detective and mystery stories; Fiction
Once during her illness, and just as the light of reason had returned
to the lovely hazel eyes, Lucian Davlin came. But he found the door of
the sick chamber closely shut and closely guarded. The slightest shock
to her nerves would be fatal now,--they told him. And he, having done
the proper thing, as he termed it, and not being in any way fond of
the sight of pain and pallor, yielded with a graceful simulation of
reluctance. Having been assured that with careful nursing, there was
nothing to fear, he deposited a check on his bankers in the hands of
her attendants, and went away contentedly, smiling under his mustache
at the novelty of being turned away from his own door.
He went back to Bellair, to Cora, and to the web they were weaving,
little dreaming whose hands would take up the thread and continue and
complete what they had thus begun.
And now the day has come for Madeline to leave the shelter that she
hates. Pale and weak, she sits in the great easy chair that had served
as a barrier between herself and her enemy, and converses with Olive
Girard while they await the arrival of Clarence Vaughan, who is to
take them from the place so distasteful to all three.
It has been settled that, for the present, Madeline will be the guest
of Olive. What will come after health and strength are fully restored,
they have not discussed much. Olive Girard and Doctor Vaughan had
agreed that all thoughts of the future must bring a grief and care
with them, and the mind of the invalid was in no condition for painful
thought and study. So Olive has been careful to avoid all topics that
might bring her troubles too vividly to mind.
But partly to divert Madeline's mind from her own woes, partly to
enable the unfortunate girl to feel less a stranger among them, she
has talked to her of Doctor Vaughan, of her sister, and at last of
herself.
And Madeline has listened to her description of merry, lovely Claire
Keith, and wondered what she could have in common with this buoyant,
care-free girl, who was evidently her sister's idol. Yet she found
herself thinking often of Olive's beautiful sister. Once, in the brief
absence of Olive, she had said to Doctor Vaughan:
"Mrs. Girard has told me of her sister; is she very lovely? And do you
know her well?"
"She is very fair, and sweet, and good. You will love her when you
know her, and I think you will be friends."
[Illustration: "Pale and weak, she sits in the great easy
chair."--page 108.]
She had not needed this; the tell-tale eye was sufficient to reveal
the fact that it was not, as she had at first supposed, Olive Girard,
but the younger sister, whom Clarence Vaughan loved.
"I might have known," she murmured to herself. "Olive Girard has the
face of one whose love dream has passed away and lost itself in
sorrow; and he looks, full of strength and hope, straight into the
future."
Public-domain text, read in full here on John Shaqi.
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