Mademoiselle de Maupin, Volume 1 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 1 (of 2)
Gautier, Théophile
French fiction -- Translations into English
That transparent tint, that charming, blooming freshness, that flesh
wherein the blood and the life flow in abundance, that lovely fair
hair falling over the shoulders like a cloak of gold, that sparkling
laughter, those amorous dimples, that figure undulating like a
flame, that strength, that suppleness, that glistening satin, those
rounded outlines, those plump arms, that full, smooth back, that
whole appearance of blooming health belongs to Rubens.--Raphael alone
could have given that pale tinge of amber to such pure features. What
other than he drew the curves of those long, fine black eyebrows,
and spread out the lashes of those modestly lowered lids?--Do you
think that Allegri had no part in your ideal? From him the lady of
your thoughts stole the warm, ivory whiteness of complexion that
fascinates you. She stood long before his canvas to catch the secret
of the angelic smile that is always on her lips; she modelled her oval
features upon those of a nymph or a saint. That line of the hip that
undulates so voluptuously is taken from the sleeping Antiope.--Those
plump, well-shaped hands might be claimed by Danaë or Magdalen. Dusty
antiquity itself supplied much material for the composition of your
young chimera; those strong and supple loins, about which you twine
your arms so passionately, were carved by Praxiteles. The divinity left
everything for the express purpose of putting the toes of her charming
foot outside the ruins of Herculaneum, so that your idol should not be
lame. Nature also has contributed its share. You have seen here and
there, in the prismatic rays of desire, a beautiful eye behind a blind,
an ivory forehead pressed against a window, a mouth smiling behind a
fan.--You have divined the quality of the arm from the hand, of the
knee from the ankle. What you saw was perfect; you assumed that the
rest was like what you saw and you finished it out with bits of other
beauties gathered elsewhere.--Not even ideal beauty, as realized by
painters, is sufficient for you, and you must go and ask the poets
for outlines even more gracefully rounded, shapes more ethereal,
charms more divine, refinement more exquisite; you begged them to give
breath and speech to your phantom, all their love, all their musings,
all their joy and their sadness, their melancholy and their morbid
fancies, all their memories and all their hopes, their knowledge and
their passion, their mind and their heart; you took all these from them
and you added, to cap the climax of the impossible, your own passion,
your own mind, your dreams and your thoughts. The star lent its beams,
the flower its perfume, the palette its colors, the poet his harmony,
the marble its shape, and you, your longing.--How could a real woman,
who eats and drinks, who goes to bed at night and gets up in the
morning--however adorable and instinct with charm she may be--sustain
comparison with such a creature! We cannot reasonably hope for such
Public-domain text, read in full here on John Shaqi.
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