Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
General
Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
"With starch and pins and good-will anything can be done.--You're
joking! a figure like yours, slenderer than a wasp's waist and quite
capable of going through the ring on my little finger! I will bet
twenty-five louis against a kiss that that waist will have to be pulled
in.--Your skirt is very far from being too short, and if you could see
what an adorable leg you have you would certainly be of my opinion.--On
the contrary, your neck stands out admirably in its halo of lace.--That
wig doesn't make you look a day older, and even if it should seem to
add a few years, you look so exceedingly young that it ought to be a
matter of perfect indifference to you; really, you would arouse strange
suspicions in our minds if we didn't know where the pieces of your last
doll are,"--_et cetera._
You cannot imagine the prodigious quantity of compliments we have been
obliged to squander, to compel our ladies to don charming costumes
which are becoming to them beyond words.
We have also had much trouble to make them adjust their patches
properly. What devilish taste women have! and of what titanic obstinacy
a capricious dainty creature is capable, who thinks that straw-yellow
is more becoming to her than jonquil-yellow or bright pink! I am sure
that if I had applied to public affairs one-half the ruses and scheming
I have employed to induce a woman to wear a red feather on the left
side and not on the right, I should be Minister of State or Emperor at
the very least.
What a pandemonium! what a vast, inextricable tangle a real theatre
must be!
Since the suggestion of giving a play was first made, everything here
has been in the most complete disorder. All the drawers are open,
all the wardrobes emptied; it is a genuine case of pillage. Tables,
chairs, consoles, all are covered, and we have no place to put our
feet; enormous quantities of dresses, mantles, veils, petticoats,
capes, caps, hats, are scattered about the house; and when you reflect
that they are all to go on the bodies of seven or eight people, you
involuntarily think of the jugglers at a fair who wear eight or ten
coats one over the other, and you cannot realize that from all that
mass only one costume for each will emerge.
The servants are constantly coming and going;--there are always two or
three on the road between the chateau and the town, and if this goes on
all the horses will be broken-winded.
A theatrical manager has no time to be melancholy, and I have been
in that condition hardly at all for some days. I am so benumbed and
bewildered that I am beginning to lose all comprehension of the
play. As I play the part of _impresario_ in addition to the part of
_Orlando_, my task is twofold. When any difficulty arises, I am the
one to whom they all run, and as my decisions are not listened to like
oracles, interminable disputes are the result.
Public-domain text, read in full here on John Shaqi.
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