The Gothic church of San Jeronimo el Real was built in 1503, and restored in 1879. During the French invasion the treasures of this church were despoiled. Here the ceremony of taking the constitutional oath by the heir-apparent is celebrated, and in this church was performed the marriage ceremony of the present king of Spain. The Capilla del Obispo has a fine carved retablo, or altarpiece, in the Renaissance style, and several interesting statues and marble tombs. There is also a beautifully carved doorway to the chapel. Antonio Sillero designed the Convent of the Descalzas Reales, which was founded by the Princess Juana, daughter of Charles V. A part of the original building remains, dating from 1559. In the chapel is a statue of the foundress by Leoni. The front of the present church was designed by Diego Villanueva. The church of the Convent of the Incarnation is of the time of Philip III., the classic façade representing the style of architecture at the Escorial Palace. Within are some paintings by Carducho. San Francisco el Grande is undoubtedly the finest church in Madrid. The building is partly modelled from the plan of the Pantheon at Rome; and the objects of interest are the fine carved doors, the sculptured figures within by Benlliure and Bellver, and some modern fresco paintings. San Isidro is named after the patron saint of the city, and was erected in the years between 1626-51. The interior is exceedingly ornate, with gilt carvings, and niches containing images of saints. There are some noteworthy paintings in this church, including works by Rizi, Morales and Palomino, and a putative Titian. The picture by Morales, “Jesus and St Peter,” is considered one of the finest examples of this artist’s skill. In the church of San Andrés there are some fine marble carvings, and pictures by Carreño and Rizi. The Capilla del Obispo is behind this church. San Antonio is noted for its frescoes of scenes from the life of its patron saint, painted by Juan Carreño. The _baroque_ style is seen in the church of San Luis (1679)--especially in the carved retablo. Close to the Puente Verde is the Ermita de San Antonio de la Florida, whose dome was decorated with frescoes by Goya. The satirical painter was engaged by the church to paint this dome with appropriate subjects, and in sombre jest he chose his models for pious characters among the _manolas_, or half-reputable women, of Madrid. The paintings are of exceptional interest, and well represent the spirit of the grimly facetious painter.