Madrid: an historical description and handbook of the Spanish capitalCalvert, Albert Frederick
History
Madrid: an historical description and handbook of the Spanish capital
Calvert, Albert Frederick
Art -- Spain -- Madrid; Madrid (Spain) -- Description and travel
Yet it was to supply the needs of no mere dilettante that the forges of
Augsburg and Milan were kept glowing, that their anvils re-echoed
unceasingly with ringing blows. Charles was a mighty War Lord. He used
his armour in the tented field, his keen blade was waved aloft in the
van of armies; and in times of peace, he yet loved to surround himself
with the pomp and circumstance of glorious war. And when he laid aside
the helmet for the monk’s cowl, he left his son the finest martial
equipment any monarch had ever boasted before or since.
Less of a soldier than his father, Philip II. was not slow to recognise
the intrinsic value of the heritage. He ordered a house to be built
specially for its reception, thus forming the foundation of a
collection, which was added to from year to year by him and his
successors. The manufacture of defensive armour practically ceased at
the close of the seventeenth century, and the spoils of war became,
alas! rarer in the course of the next hundred years. In the uprising
against the French in 1808, the Armoury was plundered by the populace in
their frantic hunger for weapons against the detested invader, and a
year or two later the collection suffered considerably at the hands of
the _Rey intruso_.
In the forties, a complete re-arrangement took place by order of Queen
Isabella II. A catalogue was issued in 1849, which was useful enough in
its way, and made the priceless treasures it enumerated known to the
world. But it displayed little critical or antiquarian skill, and
perpetuated a score of picturesque and grotesquely misleading
attributions. Different pieces were labelled as the sword of Bernardo
del Carpio, the falchion of the Cid, the bit of Don Roderic, the helmet
of Boabdil, the cuirass of Garcilaso de la Vega, etc. Doubtless in
course of time the battle axe of Amadis de Gaul, the horn of Roland, and
Mambrino’s helmet would have found their way into the catalogue. Luckily
King Alfonso XII., soon after his accession, entrusted the collection to
an antiquary of the new school, the late Count of Valencia de Don Juan.
Years of labour and research, interrupted by a disastrous fire,
resulted in a complete and admirable re-organisation and classification,
and in the publication in 1898 of a catalogue which has conferred
permanent lustre on the reputation of the erudite compiler.
Public-domain text, read in full here on John Shaqi.
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