Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
In those days some men liked to keep secret their inventions lest some
one else claim the rewards. Two and a half centuries later, Thomas A.
Edison sometimes found it better not to take out foreign patents on his
inventions because that frequently served only as notice to those who
sought to duplicate his work. For this reason Edison did not spend the
$150 necessary to obtain foreign patents on his moving picture cameras
and viewers.
_VII_
POPULARIZING KIRCHER’S PROJECTOR
_Kircher’s magic lantern is popularized
by others--Schott--Milliet de
Chales--Zahn--Molyneux--The name and fame
of the inventor are lost to the public
while magic shadow projection spreads
throughout Europe._
As with many another inventor, Kircher received little praise and
much blame for his invention of the magic lantern. Charges of being
in league with the devil to achieve the wondrous images on the screen
almost broke his spirit. Though his device was widely pirated in Europe
without acknowledgement of the inventor, before Kircher’s death he was
able to take some satisfaction from the fact that his projector was no
longer viewed as “black magic” but as a great boon for mankind. Had he
lived longer he would have again been saddened as others claimed the
magic lantern as their own. At this later day the name of Kircher was
known only to a few scholars although the magic lantern audiences could
be numbered in the many thousands.
In the first half century after the invention of the magic lantern
projector, four men, in addition to Kircher himself, made its
scientific principles and construction widely known. They were a
curious group: Gaspar Schott, a protégé of Kircher; Claude Milliet de
Chales, a French priest and military expert; Johann Zahn German writer;
and William Molyneux, an Irish patriot, teacher and scientist.
Public-domain text, read in full here on John Shaqi.
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