Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
De Chales wrote that for many things this method of projection--direct
with a strong light source--was “the best and most certain.” Doubtless
he was right, considering available means. He also pointed out the
military uses of the projector and other mirror-lens devices. Today
in enemy waters or where hostile sea or aircraft are expected and a
“radio silence” must be maintained--ships and planes must use optical
signaling devices and de Chales was the first to consider carefully
this subject.
De Chales’ most important refinement in the projector was the
introduction of a two-lens projection system.
He described in his book how the magic lantern first came to his
attention. “We have seen here at Lyons a dioptric machine, called
a magic lantern. Rays of light are projected through a tube for a
distance of ten or twelve feet. An enlarged image, about four feet
in diameter, is shown in all its colors.” The effect was considered
wonderful, according to de Chales. He noted, however, that a convex
lens was used but pointed out that it would be better to use a double
lens “as he demonstrated.” De Chales did not discard the concave
mirror, used as the light collector on almost all types of projectors
from Kircher’s to those of the present day.
In a subsequent chapter de Chales gave more information on this
subject. “As I have indicated in the preceding chapter a learned
Dane” (very likely the same Walgenstein of whom Kircher wrote as a
popularizer of his lantern projector) “came to Lyons in the year
1655.” De Chales continued, “This Dane was well versed in optics and
among other things showed a lantern.” De Chales again noted how he
had developed an improvement, using two lenses, which made possible
a projection to the then amazing distance of 20 feet. The present
projection “throw” at the Radio City Music Hall, Rockefeller Center,
New York, is approximately 200 feet.
In addition to optics and many other fields of study, de Chales was
interested in navigation. He wrote a book, probably on the order of the
King’s general staff, _The Art of Navigation demonstrated by principle
and proved by many observations drawn from practical experience_. He
devised a paddle-wheel ship that would go against the current, “without
sails, without oars and without the traction of any animal”--surely
a military weapon! His most important military work was _The Art of
Fortifying and Defending and Attacking according to the French, Dutch,
Italian and Spanish Methods_.
De Chales mentioned in his writings Alhazen, Witelo and other ancient
authorities. He must have read the first edition of Kircher’s book and
also Gaspar Schott’s before his own was written. However, de Chales
made a definite improvement with his lens system which is essentially
the modern one. Also, his work helped to popularize and extend the art
and science of light and shadow. He was another strange man in this
complex story--a missionary, a teacher and a military expert.
Public-domain text, read in full here on John Shaqi.
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