Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"Look at me when I take off my mask! My face twitches convulsively,
like the face of a man who has taken poison. I have indeed taken
poison; I have swallowed the great poison ball, the ball called
Earth.... I am like a hollow tree, charred by a _fantastic fire_. When
the worms in the intestines of the Ego--anger, ecstasy, love, and the
like--begin to crawl about in me and devour each other, I look down
upon them from the height of my Ego, I cut them in pieces as if they
were polypi and fasten them into each other. Then I look on at myself
looking on. This repeats itself _ad infinitum_. What is the use of it
all? Mine is not the usual idealism, the idealism of faith; mine is _an
idealism of the heart_, peculiar to those who have often experienced
all the emotions, on the stage, on paper, or in real life. But of what
good is it?... I often look upon the mountains and the rivers and the
ground round about me, and feel as if at any moment they might dissolve
and disappear, and I with them.... There is in man a callous, bold
spirit, which asserts its independence of everything, even of virtue.
Man chooses virtue if he will; he is its creator, not its creature. I
once experienced a storm at sea, when the raging, foaming waters lashed
themselves into great crested billows, while from a calm sky the sun
serenely looked on. So be it with you! The heart is the storm, the sky
the Ego!... Do you believe that the authors of tragedies and novels,
or at any rate the geniuses among them, who a thousand times over have
aped everything human and divine, are different from me? What really
sustains them and the others is their hunger for money and renown....
The apes are the geniuses amongst the beasts, and geniuses are apes
in their æsthetic mimicry, in heartlessness, malignity, sensuality,
and--gaiety."
He relates how an inclination which was simply the result of ennui had
led him to seduce his friend's sister. "I lost nothing; in me there is
no innocence. I gained nothing, for I hate sensual pleasure. The broad
black shadow which some call remorse quickly blotted out the fleeting
bright picture of the magic-lantern; but is the black worse for the
eyes than the bright?"
Public-domain text, read in full here on John Shaqi.
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