Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
[1] Louis Blanc (in his _Histoire de la Révolution_, viii. 35)
has misunderstood this article. He takes the unfaithful wife and
illegitimate son to mean Marie Antoinette and the Dauphin. A note in
the original text has escaped his observation; it is to the effect that
the "founders of the three greatest religions were bastards."
[2] Laurent, _Histoire du droit des gens_, tome xiv.; Carlyle,
_History of the French Revolution_, i.-iii.; Louis Blanc, _Histoire
de la révolution française_, i.-xii.; Chateaubriand, _Mémoires
d'outre-tombe_, i., ii.
II
THE CONCORDAT
One night in the month of October 1801 the gates of Paris were secretly
opened to admit a closed carriage with a military escort. What was
concealed in that carnage? Was it a criminal? Was it contraband ware?
There sat in it an old priest, Caprara by name, the Pope's envoy to
General Bonaparte; and the contraband article thus smuggled into
Paris in the darkness was the Concordat, the compact with Rome which
re-established the Christian religion in France. It was considered rash
to allow a priest coming on such an errand to make his entrance in
daylight; the First Consul, with his usual sagacity and forethought,
had arranged that he should arrive at night. It was not violence that
was feared, only laughter. "They dared not," says Thiers, "put such
temptation in the way of the mirth-loving population of Paris."[1]
The same difficulty recurred in April 1802, when, after countless
attempts to come to an agreement, during the course of which it often
seemed as if the negotiations were on the point of being finally broken
off, things were so far settled that Napoleon could accord an official
reception to the Cardinal-Legate. Ecclesiastical etiquette prescribes
that a gold crucifix shall be borne in front of a papal legate, and the
Cardinal demanded that on his way to the reception at the Tuileries
this should be done by a mounted officer in a red uniform. On this
occasion also the Government, as Thiers tells us, was afraid of the
effect of such a spectacle on the population of Paris. A compromise
was come to; it was agreed to do with the crucifix what had been done
with the Cardinal himself six months previously, namely, drive it in a
closed carriage.
Public-domain text, read in full here on John Shaqi.
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