Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
We have Emerson's notes written immediately after two different visits
to Wordsworth, paid with a year's interval. After the second, he
writes: "He was nationally bitter on the French: bitter on Scotchmen
too. No Scotchman, he said, can write English.... His opinions of
French, English, Irish, and Scotch seemed rashly formalised from little
anecdotes of what had befallen himself and members of his family, in
a diligence or stage-coach." After his first visit (in 1833) Emerson
writes: "He had much to say of America, the more that it gave occasion
for his favourite topic--that society is being enlightened by a
superficial tuition, out of all proportion to its being restrained
by moral culture. Schools do no good. Tuition is not education....
He wished to impress on me and all good Americans to cultivate the
moral, the conservative, &c.... He proceeded to abuse Goethe's _Wilhelm
Meister_ heartily. It was full of all manner of fornication. It was
like the crossing of flies in the air. He had never gone farther than
the first part; so disgusted was he that he threw the book across
the room.... He cited his sonnet 'On the Feelings of a High-minded
Spaniard' which he preferred to any other (I so understood him),
and 'The Two Voices'; and quoted, with evident pleasure, the verses
addressed to the Skylark." These jottings give us an excellent idea of
what Wordsworth was in ordinary intercourse: the contemptuous verdicts
passed on all foreign races, the objection to modern civilisation (the
same which the Mohammedans in Asia and Africa prefer against it to
this day) that it is compatible with great immorality; the eulogy on
conventional morality as the society-preserving element (true morality
being the most radical element in existence), the displeasure with
Goethe (which reminds us of Novalis), and the recital of his own verses
as finale!
Emerson sums up his impressions in the following words: "His face
sometimes lighted up, but his conversation was not marked by special
force or elevation.... He honoured himself by his simple adherence to
truth, and was very willing not to shine; but he surprised by the hard
limits of his thought. To judge from a single conversation, he made the
impression of a narrow and very English mind; of one who paid for his
rare elevation by general tameness and conformity."
Public-domain text, read in full here on John Shaqi.
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