Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In Saint-Simon's _Lettres d'un habitant de Genève_, any who are
interested in his projects for the organisation of science may read
his scheme of starting a subscription at the tomb of Sir Isaac Newton
for the purpose of enabling all the greatest scientists and artists
to devote themselves to their professions, not only freed from all
pecuniary anxieties, but with the certainty of being well paid for
their work--a scheme which Alfred de Vigny, as author of _Chatterton_,
must have read with enthusiastic approbation, if he ever did read it.
But he would learn with perhaps more surprise than approbation that
these geniuses were in return to undertake the supervision of all
the spiritual interests of humanity, in accordance with a definite,
carefully detailed plan.
Saint-Simon's _Parable_ is the document which gives most information
about the proposed organisation of industry. As this parable, from the
fact that it is written in a laconic style and with glimpses of a wit
which the author displays on no other occasion, is probably the only
one of his writings which will continue to be read, I reproduce it in a
condensed form.
Suppose, says Saint-Simon, that France were to lose from the ranks of
its scientists, painters, poets, mechanicians, physicians, surgeons,
&c., the fifty best in each class--say its 3000 best scientific men,
artists, and mechanicians--what would be the result?
Since these men are the real productive power of the country, the
flower of the French nation, at least another whole generation would be
required to repair the misfortune. For the human beings whose life-work
is unmistakably of use are exceptions, and nature is not prodigal of
these exceptions.
Let us suppose another case. Let us suppose that France keeps all her
gifted scientists, artists, industrial and mechanical geniuses, but has
the misfortune to lose his Royal Highness the King's brother, their
Royal Highnesses the Dukes of Berry, Orléans, and Bourbon, the Duchess
of Angoulème, the Duchess of Bourbon, and the young Duchess of Condé.
She at the same time loses all the great officers of the crown, all
the ministers of state, chamberlains, masters of the hunt, marshals,
cardinals, archbishops, bishops, deans, and canons, all the prefects
and sub-prefects, all the judges, and into the bargain 10,000 of the
richest of those landed proprietors who live in great style.
Public-domain text, read in full here on John Shaqi.
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