Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In Saint-Simon's writings we find, then, in the first place, the
fundamental ideas of modern socialism--distrust of the consequences of
free competition and the demand that productive labour shall receive
the recompense and the honour which are its due--ideas which prompted
his famous dictum, that every member of society ought to hold the place
in it to which his abilities entitle him and receive the due reward
of his labour (_à chacun selon sa capacité!_). In the second place we
find, as a result of this demand, the inculcation, for the first time
in the writings of a French author, of the doctrine of the complete
equality of woman and man as members of society. And, lastly, we have,
in the matter of religion, rejection of all dogma, not with the aim of
destroying religion, but for the purpose of rescuing from the grave of
orthodoxy the one command: Love one another! This is the Christianity
which Saint-Simon expounded in his last important work, _Le nouveau
Christianisme_, a Christianity with only one doctrine, which may be
expressed as follows: The task of religion is to help society to
accomplish that great object, the speediest possible improvement of the
condition of the poorest and most numerous class.
There was something in Saint-Simon's personality which could not but
be congenial to the more simple-minded among the Romanticists. He had
the unbounded self-confidence which inspires others with confidence;
the philosopher's inclination to self-examination formed no part of
his nature; he was dogmatic; he was a prophet. He was, moreover,
possessed by the Romantic desire to experience everything, to feel
everything. The lines of conduct which he prescribed as indispensable
to progress in philosophy do not differ materially from those which
a young Romantic poet would have named as requisite for poetical
production. They are: (1) to lead during one's vigorous years as active
and independent a life as possible; (2) to make one's self thoroughly
acquainted with every variety of theory and every variety of practice;
(3) to study all classes of society and to insinuate one's self into
the most varied social positions; (4) to sum up one's observations and
draw a conclusion from them.
In Saint-Simon's philosophy there was one outstanding feature that,
as a rule, repelled the Romantic authors, namely, his enthusiasm for
industrial pursuits, which, as merely useful, were repugnant to most
of them. But the philosophy was by no means destitute of poetry. Its
revolutionary, its fantastic, and its Utopian elements were certain
to appeal to a Romanticist, as also its insistence upon natural
inequality, its idolisation of genius, and its leaning to religion. It
was poetical, too, in its solicitude for the welfare of woman and its
affectionate interest in the most unfortunate classes of society.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account