He hopped to, quickly moving to an older man, tapping him on the
shoulder, whispering in his ear. Suzanne squeezed Francis's hand as
the fire-chief approached them. She extended her hand and talked
fast. "Suzanne Church," she said, and took out her notebook, the key
prop in any set piece involving a reporter. "I'm told that you are
going to let those homes burn because someone representing himself as
the title-holder to that property has denied you entry. However, I'm
also told that the title to that land is in dispute and has been in
the courts for decades. Can you resolve this for me, Chief...?"
"Chief Brian Wannamaker," he said. He was her age, with the leathery
skin of a Florida native who spent a lot of time out of doors. "I'm
afraid I have no comment for you at this time."
Suzanne kept her face deadpan, and gave Francis's hand a warning
squeeze to keep him quiet. He was trembling now. "I see. You can't
comment, you can't fight the fire. Is that what you'd like me to write
in tomorrow's paper?"
The Chief looked at the fire for a moment. Across the canal, the
bucket-brigaders were losing worse than ever. He frowned and Suzanne
saw that his hands were clenched into fists. "Let me make a call, OK?"
Without waiting for an answer, he turned on his heel and stepped
behind the fire-engine, reaching for his cellphone.
Suzanne strained to hear his conversation, but it was inaudible over
the crackle of the fire. When she turned around again, Francis was
gone. She caught sight of him again in just a moment, running for the
canal, then jumping in and landing badly in the shallow, swampy
water. He hobbled across to the opposite bank and began to laboriously
climb it.
A second later, Perry followed. Then Lester.
"Chief!" she said, going around the engine and pointing. The Chief had
the phone clamped to his head still, but when he saw what was going
on, he snapped it shut, dropped it in his pocket and started barking
orders.
Now the fire-fighters *moved*, boiling across the bridge, uncoiling
hoses, strapping on tanks and masks. They worked in easy, fluid
concert, and it was only seconds before the water and foam hit the
flames and the smoke changed to white steam.
The shantytown residents cheered. The fire slowly receded. Perry and
Lester had Francis, holding him back from charging into the fray as
the fire-fighters executed their clockwork dance.
The steam was hot enough to scald, and Suzanne pulled the collar of
her blouse up over her face. Around her were the shantytowners,
mothers with small children, old men, and a seemingly endless parade
of thug-life teenagers, the boys in miniature cycling shorts and
do-rags, the girls in bandeau tops, glitter makeup, and skirts made
from overlapping strips of rag, like post-apocalyptic hula
outfits. Their faces were tight, angry, smudged with smoke and
pinkened by the heat.
Public-domain text, read in full here on John Shaqi.
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