Makers of British Botany; a collection of biographies by living botanists
History
Makers of British Botany; a collection of biographies by living botanists
Botanists -- Great Britain -- Biography; Botany -- Great Britain -- History
It is as a plant anatomist that Grew is chiefly famous, and it is
important to try to realise exactly how far his conception of the
anatomical structure of plants has been confirmed by more recent
research. In appraising his work it must be remembered that he
was essentially the pioneer of the science. It is true that some
observations on plant anatomy occur in Robert Hooke's _Micrographia_,
which was published six years before Grew sent in his first manuscript
to the Royal Society; but Hooke never really attempted to make a
systematic study of the subject. He had succeeded in greatly improving
the microscope, and his chief interest was in applying his instrument
to all kinds of bodies, vegetable and otherwise. Cork, charcoal, pith,
etc., came under his observation, and to some extent he understood
their structure. Grew acknowledges indebtedness to "the Learned and
most Ingenious Naturalist M^r _Hook_," and tells us that some of the
results which Hooke obtained, inspired him to study certain of his
plants again with a better microscope. For instance Hooke was able
to see smaller pores in wood than Grew had been able to detect, but,
with better glasses, he confirmed the accuracy of Hooke's observation.
However, although Hooke must certainly be credited with priority in
the discovery of the fact that plant tissues are characterised by a
cellular structure, his botanical work, considered in its entirety, is
of very slight significance compared with that of Grew.
Grew's clearest account of plant cells is perhaps to be found in his
description of root parenchyma, which he compares to "the Froth of
_Beer_ or _Eggs_" or to "a fine piece of _Manchet_[11]," or again, to
"a most curious and exquisitely fine-wrought Sponge." He quotes with
approval Hooke's description of _Elder-Pith_ as "an heap of _Bubbles_."
It would be unsafe however to conclude that he had really arrived at
what is known as the Cell Theory. His conception of the nature of
plant tissues was not by any means that of the modern botanist. He
believed the cell-walls to consist of inter-woven fibres, which were
continuous from cell to cell. He did not consider that these fibres
were invariably wrought together in such a fashion as to enclose
bladder-like spaces, or cells; in some cases he held that the tissue
was non-cellular, consisting simply of interwoven fibres. It was these
hypothetical fibres, rather than the cells, which he regarded as
of fundamental importance. His idea, which is somewhat confusing, is
perhaps best understood from his comparison of plant structure with
pillow lace. The "most unfeigned and proper resemblance we can," he
writes, "at present make of the whole _Body_ of a _Plant_, is, To a
piece of _fine Bone-Lace_, when the Women are working it upon the
_Cushion_, For the _Pith_, _Insertions_[12], and _Parenchyma_ of the
_Barque_, are all extream Fine and Perfect _Lace-Work_: the _Fibres_
of the _Pith_ running _Horizontally_, as do the _Threds_ in a Piece of
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