Makers of British Botany; a collection of biographies by living botanists
History
Makers of British Botany; a collection of biographies by living botanists
Botanists -- Great Britain -- Biography; Botany -- Great Britain -- History
Grew did not enter into the minuter details of histology, except in
his description of the spiral tracheids, to which, as we have seen,
his attention was first called by Malpighi's observations. He speaks
of the spiral as formed of "Two or More round and true _Fibres_,
although standing collaterally together, yet perfectly distinct.
Neither are these Single _Fibres_ themselves _flat_, like a _Zone_; but
of a _round_ forme, like a most fine _Thred_." He makes the curious
statement that the direction of the spiral is constant, being "in
the _Root_, by _South_, from _West_ to _East_: but in the _Trunk_,
contrarily, by _South_, from _East_ to _West_."
Although it is as an anatomist that Nehemiah Grew is best known, his
grasp of external morphology is perhaps even more remarkable. His work
on seed structure has already been quoted. He seems to have quite
readily detected the true nature of modified stems. He examined for
instance the thorns of the Hawthorn, and saw that their structure
was axial. In his own words, they "are constituted of all the same
substantial _Parts_ whereof the _Germen_ or _Bud_ it self [is], and
in a like proportion: which also in their Infancy are set with the
resemblances of divers minute _Leaves_." It should be recalled that
Albertus Magnus, the great scholastic philosopher, writing in the
thirteenth century, distinguished between thorns and prickles, and
noticed transitions between the former and leafy branches[13]. There
is no reason to suppose, however, that our author was acquainted with
the work of Albertus. Grew realised the nature of Bulbs, and points out
that "the _Strings_ only, are absolute _Roots_; the _Bulb_, actually
containing those _Parts_, which springing up, make the _Leaves_ or
_Body_; and is, as it were, a Great _Bud_ under ground."
Public-domain text, read in full here on John Shaqi.
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