Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
“You were to blame for the company you kept,” declares Mrs. Ogi. “I call
that sort of writing inexcusable.”
“Well, I’ll try again,” says her husband. “On page 351 of ‘The
Metropolis’ you find a glimpse of the underworld of New York:
“So far had the specialization in evil proceeded that there were places
of prostitution which did a telephone business exclusively, and would
send a woman in a cab to any address; and there were high-class
assignation-houses, which furnished exquisite apartments and the
services of maids and valets. And in this world of vice the modern
doctrine of the equality of the sexes was fully recognized; there were
gambling-houses and pool-rooms and opium-joints for women, and
drinking-places which catered especially to them. In the ‘orange room’
of one of the big hotels, you might see rich women of every rank and
type, fingering the dainty leather-bound and gold-embossed wine cards.
In this room alone were sold over ten thousand drinks every day; and the
hotel paid a rental of a million a year to the Devon estate. Not far
away the Devons also owned negro-dives, where, in the early hours of the
morning, you might see richly gowned white women drinking.
“Montague was told by a certain captain of police a terrible story about
the wife of our very greatest railroad magnate, who lived in a colossal
marble palace on Fifth Avenue. As soon as she perceived that her husband
was asleep, she would put on a yellow wig as a disguise, and wearing an
overcoat which she kept for this purpose, she would quit the palace on
foot, with only a single attendant. She would enter one of the brothels
in the ‘Tenderloin,’ where she had a room set apart for herself. There
she took her stand, with naked breasts and gilded nipples, bearing the
name of Zaza, and displaying the person of the mother of one of our most
magnificent young lords of society and finance. She would receive all
comers with caresses, and when the madame dismissed her customers, she
would take her leave sadly, lingering, and being the last to close the
door of her room. Still unsatisfied in her desires, she would retire
with her sullied cheeks, bearing back the odors of the brothel to the
pillow of her mighty railroad magnate. And shall I speak of the
love-charms--”
“Most emphatically you shall not!” cries Mrs. Ogi, “I think we’ve had
enough of ‘The Metropolis’ and I won’t hear of its being reproduced in
this new book. It’s your crudest Socialist propaganda--”
“You’re quite sure it’s propaganda?” says Ogi.
“Of course. Who would question that?”
“Well then, I’ve proved one point!” says the other.
“I don’t understand.”
Public-domain text, read in full here on John Shaqi.
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