Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
“I don’t offer ‘The Metropolis’ as literature, but merely as a record of
things I saw in New York twenty years ago. Afterwards I’ll show what
Juvenal has to say on the same topics. First, ‘The Metropolis,’ page
278, listing the health-cures of ladies in high society:
“One of the consequences of the furious pace was that people’s health
broke down very quickly; and there were all sorts of bizarre ways of
restoring it. One person would be eating nothing but spinach, and
another would be living on grass. One would chew a mouthful of soup
thirty-two times; another would eat every two hours, and another only
once a week. Some went out in the early morning and walked barefooted in
the grass, and others went hopping about the floor on their hands and
knees to take off fat. There were ‘rest cures’ and ‘water cures,’ ‘new
thought’ and ‘metaphysical healing’ and ‘Christian Science’; there was
an automatic horse, which one might ride indoors, with a register
showing the distance traveled. Montague met one man who had an electric
machine, which cost thirty thousand dollars, and which took hold of his
arms and feet and exercised him while he waited. He met a woman who told
him she was riding an electric camel!
“But of course they could not really succeed in reducing weight, because
they were incapable of self-restraint. Mrs. Billy Alden gave Montague a
delightfully malicious account of a certain lordly fat lady of her set,
who had got the Turkish-bath habit. Terrible to encounter, most awful in
visage, she would enter the baths by night, and all the attendants would
rush into instant action. ‘She delights in perspiring with great
tumult,’ said Mrs. Billy. ‘And when her arms have sunk down, wearied
with the heavy dumb-bells, the sly masseur omits to rub down no part of
her person. Meantime, perhaps there are a number of guests assembled for
dinner at home. They wait, overcome with drowsiness and hunger. At last
the lady comes, flushed, and declaring that she is thirsty enough for a
whole ‘magnum.’ As soon as she is seated at the table, the footman
brings her a bucket of ice, packed about her own special quart of
champagne. She drinks half of this before she tastes any food--calling
it an appetizer. She drinks so much that it won’t stay down, but returns
as a cascade on the floor’--and Montague had to stop Mrs. Billy in her
too vivid description of the sights which a certain unhappy banker, the
husband of this lady, had to witness at his dinner-parties. Said Mrs.
Billy, with her usual vividness of metaphor: ‘It is like a snake that
has crawled into a cask of wine; it takes in and gives out again.’”
Mrs. Ogi interrupts. “There is one thing I want to make plain--that you
weren’t married to me when you published that disgusting stuff.”
“All right,” says Ogi; “it shall be entered in the record. But you must
understand that I am not to blame for Mrs. Billy’s stories.”
Public-domain text, read in full here on John Shaqi.
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