Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
The Italian princes were no more influenced by the moral austerity of
Dante than the Roman ruling class had been by Virgil. Medieval Italy
traveled the same road as imperial Rome, and two centuries after Dante
we find the vicars of God on earth reproducing the worst crimes of the
Neros and Caligulas. Alexander VI, the Borgia pope, purchased his high
office, and then set to work to plunder the cities of Italy and harry
the whole peninsula with war. Among his children by his numerous
mistresses was Cesare Borgia, who became the commander of the papal
armies, and slaughtered and poisoned all who stood in his way, including
his own brother. Returning from his wars, he would amuse himself by
using his prisoners of war as targets for archery practice in the
courtyard of the Vatican. In the end Cesare died of wounds, Alexander
died by poison, and his daughter Lucrezia poisoned her own son and then
herself.
Here was an ideal environment for the development of leisure-class art.
These popes and princes built themselves magnificent palaces, and as a
measure of soul-insurance they built cathedrals and churches. They were
willing to spend fortunes upon famous artists; and the artists, needless
to say, were willing to take the money. Browning has a poem, “The Bishop
Orders His Tomb at St. Praxed’s Church,” a vivid picture of the attitude
of mind of these pious poisoners and artistic assassins. The bishop lies
upon his couch dying, and his sons, politely known as “nephews,” gather
about him to hear his vision of a tomb which is to preserve his memory
and bring peace to his soul. He describes the treasures of beauty which
are to go upon the tomb--
One block, pure green as a pistachio-nut,
There’s plenty jasper somewhere in the world--
And have I not St. Praxed’s ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
The pious soul goes on to specify his epitaph; it must be “choice Latin,
picked phrase,” from Cicero. Having got this--
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
Public-domain text, read in full here on John Shaqi.
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