Man-woman relationships -- Fiction; Short stories, English
"My dear, one must spoil somebody, and I was determined not to spoil
_you_; I wanted to save you. All my life was ruined because I was a
spoiled child--and because I tried to write. I had such dreams, such
ambitions--just like yours, you silly child! But then I was never
clever--perhaps you may be--and it all ended in my losing my lover. He
married a nice, quiet, domestic girl, and I never made name or fame at
all--I never got anything taken but fashion articles--and 'Answers to
Correspondents.' Now, that's the whole tale. Don't mention it again."
"But you did love me, even when----"
"Of course I did," said Aunt Kate in the testy tones of Aunt Eliza; "or
why should I have bothered at all about whether you were going to be
happy or not? Now, Kitty, you're not to expect me to gush. I've
forgotten how to be sentimental except on paper."
"I don't want to be sentimental," said Kitty, a little injured, "neither
does----"
Here the editor came in.
"You don't want to be sentimental either," Kitty went on; "do you--Mr
Editor?"
The editor looked a little doubtful.
"I want to be happy, at any rate," said he, "and I mean to be."
"And he can't be happy unless you smile on him. Smile on him, Auntie!"
cried a new, radiant Kitty, to whom aunts no longer presented any
terrors. "Say 'Bless you, my children!' Auntie--do!"
"Get along with your nonsense!" said Aunt Eliza. Or was it Aunt Kate?
VIII
MISS MOUSE
They were poor, not with the desperate poverty that has to look on both
sides of a penny, but with the decent bearable poverty that must look at
a shilling with attention, and with respect at half-a-crown. There was
money for the necessities of life, the mother said, but no money to
waste. This was what she always tried to say when Maisie came in with
rainbow representations of the glories of local "sales" piteous pictures
of beautiful things going almost for nothing--things not absolutely
needed, but which would "come in useful." Maisie's dress was never
allowed those touches of cheap finery which would have made it
characteristic of her. Her clothes were good, and she had to patch and
mend and contrive so much that sometimes it seemed to her as though all
her life was going by in the effort to achieve, by a distasteful
process, a result which she abhorred. For her artistic sense was too
weak to show her how the bright, soft freshness of her tints gained by
contrast with the dull greys and browns and drabs that were her mother's
choice--good wearing colours, from which the pink and white of her face
rose triumphantly, like a beautiful flower out of a rough calyx.
Public-domain text, read in full here on John Shaqi.
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